From Editing Room to Pulpit: Sharpening Communication Techniques
by Carole Dean
When Gail Chandler, a twice Cable Emmy-nominated editor, and Dr. Shauna Hannon, a professor of Homiletics with over 25 years in ministry, first met, they seemed to hail from entirely different worlds.
Gail, based in Northern California, has honed her craft in comedy editing, shaping narratives that evoke laughter and connection. Dr. Hannon, in contrast, has dedicated her life to guiding preachers at the Pacific Lutheran Theological Seminary, helping them deliver sermons that uplift and inspire.
Yet, as their conversations unfolded, they discovered a profound intersection between filmmaking and sermon-writing. They expanded on this as co-authors of Scripting a Sermon: Using the Wisdom of Filmmaking for Impactful Preaching.
In my interview with them on The Art of Film Funding Podcast, they revealed how their techniques used to craft impactful films can elevate the art of preaching, transforming sermons into deeply resonant messages that captivate congregations.
The Intersection of Filmmaking and Preaching
At its heart, Scripting a Sermon draws fascinating parallels between filmmaking and sermon writing. As Dr. Hannon shared, “Both art forms involve a clear beginning, middle, and end. Decisions about how to move from one scene to the next are just as vital for a sermon as for a film.”
“Filmmaking,” Chandler added, “is about drawing the audience into the story immediately—preachers can learn to do the same, skipping lengthy setups and diving into the heart of their message.”
Both authors emphasize the significance of structure. While filmmakers often rely on a three-act structure, preachers can adapt this framework with flexibility.
“The narrative arc in sermons doesn’t have to be rigid,” Hannon explained. “But a clear through-line helps ensure your message connects and stays impactful.”
Storytelling and Emotional Connection
One of the central ideas in the book is the power of emotional connection. Both filmmakers and preachers aim to move their audiences. “Filmmaking is about capturing emotion and creating a memorable experience,” Chandler noted. “In sermons, preachers need to consider the emotional impact they hope to achieve. Are they aiming for comfort, inspiration, or a call to action?”
Dr. Hannon believes that preachers can learn a lot from analyzing their favorite films. “Pacing is a perfect example. Films know when to let the audience breathe and absorb powerful moments. Preachers should reflect on when to pause, let silence speak, and build curiosity.”
The Role of Visual Storytelling
While filmmakers use literal visuals to tell a story, preachers rely on words to spark imagery in their listeners’ minds. “Preachers can craft scenes in their sermons, inviting their congregation to imagine vivid scenarios,” Hannon explained. “Describe a biblical moment like a director setting up a scene: wide shots, close-ups, and careful focus on the characters.”
Chandler added that preachers could even experiment with feedback loops. “Before delivering a sermon, why not test it with a trusted group? Just like filmmakers use focus groups to refine a film, preachers can solicit input to ensure their words resonate.”
Editing and Refining the Message
In filmmaking, the magic often happens in the editing room, and Scripting a Sermon advocates for a similar approach to sermon preparation. “Editing helps preachers refine their message,” said Chandler. “It’s not about adding more content—it’s about cutting what doesn’t serve the central idea. That takes discipline.”
Dr. Hannon introduced the concept of a “feed-forward” process. “Instead of waiting for feedback after the sermon, preachers can refine and rehearse their messages in advance. Editing can involve rethinking the opening hook, fine-tuning transitions, or clarifying the closing statement.”
The Hook and Staying Focused
“The opening hook in a sermon is critical,” Chandler emphasized. “Even though preachers already have a captive audience, the challenge is to keep them engaged.” She compared it to a film’s opening scene: “You have to establish intrigue and set the tone quickly. Don’t waste time; dive right in.”
Another common pitfall is losing focus. Dr. Hannon explained, “Some sermons try to address too many ideas at once. It’s like watching a film that could have been four separate movies. Stay focused, and make sure your central theme guides every part of the sermon.”
Empowering Congregations
Ultimately, the goal of both preaching and filmmaking is to leave the audience with something meaningful. “We want congregations to walk away feeling empowered,” Dr. Hannon said. “A successful sermon isn’t just heard—it’s felt and remembered. It lives on in conversations and actions.”
Chandler echoed this sentiment: “When filmmakers craft a story, they think about its lasting impact. Preachers should do the same—begin with the end in mind. What transformation do you hope to inspire?”
Takeaways and Tools
Scripting a Sermon is more than a guide—it’s a toolkit for preachers looking to refine their craft. The book offers practical strategies, from using cinematic techniques like storyboarding to collaborating with trusted peers for feedback. Chandler and Hannon also encourage preachers to approach sermons with the creativity and intentionality of a filmmaker.
Dr. Hannon summed it up beautifully: “Preachers are storytellers, bringing ancient texts to life for contemporary audiences. By thinking like filmmakers, they can craft sermons that truly resonate.”
Where to Find the Book
Scripting a Sermon is available on Amazon and through Westminster John Knox Press. For preachers, educators, and anyone passionate about impactful communication, this book is an invaluable resource.
Carole Dean is president and founder of From the Heart Productions; a 501(c)3 non-
profit that offers the Roy W. Dean Film Grants and fiscal sponsorship for independent filmmakers.
She is creator and instructor of Learn Producing: The Ultimate Course for Indie Film Production. Essential classes for indie filmmakers on how to produce their films.
She hosts the weekly podcast, The Art of Film Funding, interviewing those involved in all aspects of indie film production. She is also the author of The Art of Film Funding, 2nd Edition: Alternative Financing Concepts. See IMDB for producing credits
You can find other blogs by Carole Lee Dean, President of From the Heart Productions, Inc. here: https://fromtheheartproductions.com/carole-dean-blog
