LEARN PRODUCING
The Ultimate Course for Indie Film Production
This comprehensive course will give you the information, guidance, and support to become a successful producer and get the funding you need to get your project completed!
Each class covers essential aspects of Film Production and Funding, including:
Financing, Budget, Distribution, Post, Locations, Hiring Crew, Music, Marketing, Legal, much more!
We’ve found that the biggest reason indie films are denied funding is that most filmmakers have not developed their documentary or feature enough for investors and donors to be confident their film will ever get made.
Learning how to produce and develop your film is critical to your success as a filmmaker.
Do you have a dream of becoming a filmmaker?
Are you a storyteller who would like to present your vision in the video or film arts, but don’t know where to start?
Or are you a seasoned professional Filmmaker who is having challenges muddling through today’s new world of technology and the new world of motion picture arts distribution and film making?
Look no further than the Producer’s Class with From the Heart Productions!
Written by a Producer’s Class Student, Filmmaker Paula Randol Smith
Get your First Month (2 Classes) for Free!
Then Only $44/Month
You’ll receive a Certificate of Completion for the course when you finish 20 Classes!
Carole Dean
Host, Founder and President of From the Heart Productions
Carole Dean is the Founder and President of From the Heart Productions, a top-rated 501(c)3 non-profit that supports independent filmmakers by helping them raise funding for their projects. Over thirty years through From the Heart’s fiscal sponsorship program, she has assisted filmmakers in raising over $30 million for their films.
She created the Roy Dean Grant in 1992 and has awarded over $2,500,000 in grants to independent filmmakers, and helped to produce over 80 films through the grant.
Her creation of a business in 1970, Studio Film & Tape, that purchased leftover motion picture film from production then resold it at a discount, helped spark the independent film revolution by giving filmmakers affordable film stock.
In the 1980s, she produced 120 Health Styles Shows that were sold to Oasis Cable and 30 Filmmaker shows, now in the National Archives. She was Executive Producer for BAM 6.6, Women Behind the Camera, Step Away From the Stone, and American Chain Gang. More of Carole’s producing credits are available on IMDB.
Carole Dean is the author of The Art of Film Funding, 2nd Edition: Alternative Financing Concepts & The Art of Manifesting: Creating your Future. Click here to see Carole’s complete Curriculum Vitae.
Carole Joyce
Co-Host, From the Heart Productions Board Member and Producer
A graduate of Brooks Institute of Photography, Carole is an award-winning filmmaker for her documentary Survivors. Carole served as Executive Producer for the award-winning short film Stairway to the Starsstarring Sean Young and as LA Line Producer for Wheels of Heaven with Mickey Rourke. Carole’s additional credits are available on IMDb.
Click Here to schedule a consultation with Carole Joyce. Students enrolled in the year long Producer’s Class get a special discounted price of $80 for a 1 hour consultation.
Robert Seigel, ESQ.
Guest Legal Instructor, From the Heart’s Attorney
We have our attorney on the class to answer your legal questions. Robert has been helping filmmakers with all phases of production and sales to cable and streamers for over 20 years. He specializes in documentary and feature films.
Jonathon M. Smith
Guest Instructor, Filmmaker, Industry Trends Specialist
Jonathon shares how to survive and thrive as an indie filmmaker. Every class, he will teach different lessons on independent filmmaking to help make your project a reality. He is also A.I savvy and will go over different products and industry trends to keep you up to date on technology in Hollywood.
The Definitive Guide to Producing
Year 1 of the Producer’s Class (Classes 1-26) is based on Producer to Producer: A Step-by-Step Guide to Low Budget Independent Film Producing by Maureen A. Ryan, an award-winning producer whose credits include the documentaries Man on Wire, Dick Johnson Is Dead, and Becoming.
This is the Bible for learning to develop & produce in the film industry.
One of the most asked questions is, “What do Producers do?” Maureen Ryan says, “They make it happen.”
This is what we are teaching, how to “make it happen” with developing and an emphasis on funding.
Year 2 and beyond of the Producer’s Class will expand on topics explored in Year 1 and new topics!
About the Class
ONGOING NOW! JOIN ANY TIME
Taught Every 2 Saturdays at 9am PT
Live On Zoom – Classes are 1.5 – 2 Hours
Hosted by Carole Dean
Special Guest Instructor with Q&A Each Class
Film Attorney Robert Siegel Joins Each Class
Join by Monthly Subscription
2 Classes per Month for $44
Get Class Recording Free
Get your First Month
(2 Classes) for Free!
Next Class
CLASS 27 – Saturday, April 27, 2024
Low Budget Screenwriting Masterclass – Part 2
How To Make Your Screenplay/Film Possible On A Low Budget
Guest Instructor
Jonathon M. Smith
Recordings of Completed Classes Now Available for Sale!
Hear What Our Students are Saying!
Lorenzo DeStefano
Filmmaker – “Stairway to the Stars”
“Another excellent and informative From The Heart Productions presentation. Congratulations.”
Julia Campanelli
Filmmaker
“These classes make producing seem possible, when usually it seems so overwhelming, like climbing Mt. Everest without a guide.”
Alexis Rafael
Filmmaker
“This is really helpful! So clearly presented. Thank you.”
Melissa Morehead
Writer / Producer – “Prodigal Daughter”
“I started the producers class with no experience except standin experience on the movie set. I was amazed at how much I have learned in such a short time from advice on the script to what needed documents that are nessary for legal representation in producing a film. The support alone has been outstanding. I would recommend this class to anyone who is serious about making a film.”
Irina Chernikina
Writer / Producer / Director
“From The Heart Productions has become an essential part of packaging all of my projects as my fiscal sponsor. Thank you Carole Dean and Carole Joyce for your dedication to filmmakers’ success, I’ve learned a lot from your courses and mentorship!”
Paula Randol-Smith
Director / Producer – “Forecast the Film”
“Through From The Heart’ss Producer’s Class you will get it all! The class will give you tens of thousands of dollars worth of training in production, for a nominal fee, from the legal know-how of Robert Siegel, ESQ., to the experts across the board with the film industries top professionals. Carole Dean’s love of storytelling through film and the love and true caring of the filmmaker has gotten me personally through the most difficult documentary production of my career.
I could not afford to pay for the information that I’ve gotten from the Producers Class. It is an affordable treasure that gives the participant only hands on, factually solid support in their filmmaking ventures. I didn’t know then what I do know now, and much of that is from the help I’ve gotten through what I’ve learned in From The Heart’s Producer’s Class.
I could not just recommend this film class enough – don’t wait, you should jump in and get everything they’ve got and learn everything you can to get your film made. From The Heart’s Producer’s Class has it all!”
Your First Month is Free!
Next Class
CLASS 26 – Saturday, April 27, 2024
Low Budget Screenwriting Masterclass
Part 2
How To Make Your Screenplay/Film Possible On A Low Budget
Guest Instructor: Jonathon M. Smith
Jonathon M. Smith, is an actor/writer/producer who has been involved in the film industry for over 15 years. He started his career doing promos for Disney and Vogue as a teenager, and continued to work on multiple sets like Hannah Montana, Greek, Numbers, Heart of Dixie, and The Mandalorian.
At this time, Jonathon is currently producing and starring in a feature film called “The Terrible Children”. It has already been picked up by a distributor and is scheduled to release in the fall.
On top of his film career, Jonathon has done work for SAAS companies and the educational industry.
We Cover:
- Learn Why Films Are So Expensive To Make
- The Difference Between Genre, Theme, and Script Mechanism
- The 8 Different Types of Films That Work On A Low Budget
- Examples of Each Type of Films That Work On A Low Budget
- 5 Films That Were Made For Under $10,000 That Launched Careers (Including Christopher Nolan).
Guest Instructor: Robert Seigel
We have our attorney on the class to answer your legal questions. Robert has been helping filmmakers with all phases of production and sales to cable and streamers for over 20 years. He specializes in documentary and feature films.
Visit his website at http://www.rlsentlaw.com
Get your First Month (2 Classes) for Free!
Then Only $44/Month
Completed Classes
Recordings of past classes with incredible special guest instructors are now available for purchase!
Click here to learn more about these classes and find a link to purchase recordings.
Class 1: Acquiring Rights with Alexis Krasilovsky
Class 2: Screenplay Creation & Revision with Jacob Kreuger
Class 3: Script Feedback with Max Aaron
Class 4: Log Lines with Kara Williamson
Class 5: Film Grants with Joanna Rabiger
Class 6: HNI’s & Investors with Kara Williamson
Class 7: Distribution with Udy Epstein
Class 8: The Art of the Pitch with Kara Williamson
Class 9: Trailers with Michael Torres
Class 10: Color Correction with Sam Dlugach
Class 11: Script Breakdown with Kara Williamson
Class 12: Budgeting with Jonathon M. Smith
Class 13: Film Funding with Kara Williamson
Class 14: Casting with Donna McKenna
Class 15: Locations & Hiring Crew with Chris Debiec
Class 16: Legal with Robert Siegel
Class 17: Scheduling with Kara Williamson
Class 18: Fair Use and Insurance with Deborah J. West
Class 19: Production with Lorenzo DeStefano
Class 20: Safety & Wrap with Colette Smartt
Class 21: Post-Production with Chris Debiec
Class 22: Audio with Jerry Deaton
Class 23: Music with David Raiklen
Class 25: Film Festivals with Anabelle D. Munro
Class 24: Marketing with Tony Panaccio
Class 25: Film Festivals with Anabelle D. Munro
Class 26: Low Budget Screenwriting Masterclass – Part 1 with Jonathon M. Smith
You can also purchase Year 1 of the Producer’s Class (26 Classes*) for a special price of $440.
Upcoming Classes
CLASS 29 – Saturday, May 25, 2024
Instructor: Carole Dean
Carole Dean is the Founder and President of From the Heart Productions, a top-rated 501(c)3 non-profit that supports independent filmmakers by helping them raise funding for their projects. Over thirty years through From the Heart’s fiscal sponsorship program, she has assisted filmmakers in raising over $30 million for their films.
She created the Roy Dean Grant in 1992 and has awarded over $2,500,000 in grants to independent filmmakers, and helped to produce over 80 films through the grant.
We Cover:
- Outline for the party
- Who makes the ask?
- Getting donations before the party
- Ongoing support from party participants
Guest Instructor: Robert Seigel
We have our attorney on the class to answer your legal questions. Robert has been helping filmmakers with all phases of production and sales to cable and streamers for over 20 years. He specializes in documentary and feature films.
Visit his website at http://www.rlsentlaw.com
Guest Instructor: Jonathon M. Smith
Jonathon shares how to survive and thrive as an indie filmmaker. Every class, he will teach different lessons on independent filmmaking to help make your project a reality. He is also A.I savvy and will go over different products and industry trends to keep you up to date on technology in Hollywood.
CLASS 30 – Saturday, June 8, 2024
Instructor: Carole Dean
Carole Dean is the Founder and President of From the Heart Productions, a top-rated 501(c)3 non-profit that supports independent filmmakers by helping them raise funding for their projects. Over thirty years through From the Heart’s fiscal sponsorship program, she has assisted filmmakers in raising over $30 million for their films.
She created the Roy Dean Grant in 1992 and has awarded over $2,500,000 in grants to independent filmmakers, and helped to produce over 80 films through the grant.
We Cover:
- Creating your pitch
- Making a good impression
- Power of “Body language”
- Closing
Guest Instructor: Robert Seigel
We have our attorney on the class to answer your legal questions. Robert has been helping filmmakers with all phases of production and sales to cable and streamers for over 20 years. He specializes in documentary and feature films.
Visit his website at http://www.rlsentlaw.com
Guest Instructor: Jonathon M. Smith
Jonathon shares how to survive and thrive as an indie filmmaker. Every class, he will teach different lessons on independent filmmaking to help make your project a reality. He is also A.I savvy and will go over different products and industry trends to keep you up to date on technology in Hollywood.
CLASS 31 – Saturday, June 22, 2024
Story Structure
Guest Instructor: Karen Everett
Karen Everett is one of the world’s leading documentary story consultants, as well as an award-winning documentary filmmaker. She taught editing for 18 years at the Graduate School of Journalism at UC Berkeley, named the #1-ranked documentary program in America by Documentary Magazine. Karen founded New Doc Editing LLC, an editing and story consulting business. She has helped hundreds of filmmakers structure compelling documentaries for venues such as PBS, HBO, community screenings and top film festivals such as Sundance and Telluride. Author of Documentary Editing, she has directed and produced six of her own documentaries, including the award-winning PBS biography I Shall Not Be Removed: The Life of Marlon Riggs. She can be reached at Karen@newdocediting.com.
We Cover:
How do you shape a mountain of footage into an impactful and entertaining documentary?
In this example-packed seminar, you’ll discover how influential and award-winning documentaries such as My Octopus Teacher and The Inconvenient Truth are structured. Screenwriters have a lot to teach documentary filmmakers about shaping a story, from the Inciting Incident, to the Midpoint, to the Climax. You’ll learn the challenges and art of adapting narrative devices to films about real life. You’ll glean professional tips for logging footage quickly, to accelerate your edit. Participants will also learn how to configure a compelling trailer in three distinct movements. Finally, these days you need more than just a feature length film. Foreign distributors and PBS often want a “TV Hour”, while conferences and educators want a shorter cut for public screenings. A deeply experienced teacher and story consultant, Karen will show you four criteria for cutting a feature down to marketable film lengths.
Guest Instructor: Robert Seigel
Our attorney Robert Seigel will be available to discuss legal information.
Visit his website at http://www.rlsentlaw.com
Guest Instructor: Jonathon M. Smith
Jonathon shares how to survive and thrive as an indie filmmaker. Every class, he will teach different lessons on independent filmmaking to help make your project a reality. He is also A.I savvy and will go over different products and industry trends to keep you up to date on technology in Hollywood.
Completed Classes
Click on a Class Title to Learn More or Purchase Recording
You can also purchase the first full year of the Producer’s Class (26 Classes) for a special price of $440.
Buy the Class Recording for $26
Acquiring Rights
Producer to Producer book, pgs. 1-6
Carole shares from Maureen Ryan’s Producer to Producer how to use this book. We cover the various producers’ jobs and titles. How to develop your film, acquire rights, and how important a chain of title is to your film. Alexis Krasilovsky teaches adaptations. Lorenzo DeStafano shares rights and chain of title. Carole Joyce teaches how to create a log line and introduces us to people in the industry. We close the class with questions and answers.
Guest Instructor: Alexis Krasilovsky
ALEXIS KRASILOVSKY was born in Alaska, survived sexual assault at gunpoint, know what it’s like to be completely deaf, and has traveled to over twenty countries. She studied film at Yale and CalArts (MFA Film/Video) and is an award-winning filmmaker (“Women Behind the Camera” and other films). Alexis is the author of “Great Adaptations: Screenwriting and Global Storytelling” (– 2nd Place Winner, 2019 International Writers Awards) and Professor Emerita of Screenwriting, California State University Northridge. She is currently adapting a children’s story with Shameem Akhtar about a Bengal tiger in Bangladesh. See www.alexiskrasilovsky.com for more.
We Cover:
- Pages 1 through 6 in Producer to Producer.
- Finding the idea or the material.
- Learning to say no.
- Studying scripts.
- Development process.
- Do you legally have the rights to your material?
- Rights acquisition of script and or underlying material.
- How to write a logline.
- We introduce you to top service people in our industry
A vast majority of Academy Award-winning Best Pictures, television movies of the week, and mini-series are adaptations, watched by millions of people globally. Great Adaptations: Screenwriting and Global Storytelling examines the technical methods of adapting novels, short stories, plays, life stories, magazine articles, blogs, comic books, graphic novels and video games from one medium to another, focusing on the screenplay. Written in a clear and succinct style, perfect for intermediate and advanced screenwriting students
Homework: Please read Screenplay Creation and Revision and Screenwriting Software for next class in Producer to Producer, page 6 through 21. You can listen to an interview with Christopher and Kathy Riley from their book The Defining Moment on how defining moments build characters. https://d1at8ppinvdju8.cloudfront.net/1/215/show_12159396_2022_10_24_16_54_35.mp3
Read Unleashing the power of the film crew blog here: https://fromtheheartproductions.com/carole-dean-blog
Buy the Class Recording for $26
Screenplay Creation and Revision
Producer to Producer book, pgs. 6-18
Guest Instructor: Jacob Krueger
We Cover:
- What are the most common mistakes screenwriters make and how can they be avoided? This information is excellent for documentary filmmakers because they are writers too. Producers of documentaries and narratives need to know the structure of a feature and how to create their scripts just like screenwriters do.
- They say when you finish your first draft you are 7% completed, so what do you do next?
- How do writers create multilayered characters like Saul in Better Call Saul?
- How do writers approach writing dialogue that is natural and engaging.
- What is the difference between plot driven and character driven stories for features and documentaries?
- What tools can you recommend to help writers? What books do you recommend writers read?
- How do writers deal with producers who are concerned about money? How do you negotiate with a writer who wants you to blow up a bridge when you don’t have that in the budget?
Carole Joyce will discuss how to write a Documentary proposal.
- Crafting a compelling introduction or synopsis.
- Writing a personal filmmaker statement that conveys your dedication to the project.
- Tips and techniques to win over grantors and investors.
Buy the Class Recording for $26
Getting Feedback on the Script
Producer to Producer, pgs. 16-29 – A step by step guide for low budget independent filmmaking
Guest Instructor: Max Aaron
We Cover:
- Creating your log line, creating a feature or documentary proposal, bios, production plan, budget and financing plan.
- What is coverage?
- Why do you need coverage?
- How to use coverage to improve your script.
- What you should get from a coverage expert.
- What grantors and donors want in a documentary proposal.
We offer information on documentary coverage. We discuss what grantors and large donors want in a documentary proposal.
We explain how to create a great log line. We go over your documentary & feature outline/proposal and tell you what we want in our grants. We follow Maureen’s book with information on each item needed to go into your proposal for a documentary and in your deck for your script. How sectioning your information in to Theme, background and need, etc. can enhance your materials. Carole Joyce introduces you to our donor who creates posters and discusses the importance of an outstanding image to brand your material from day one.Buy the Class Recording for $26
Log Line:
How to create and why you need it. We will read and critique log lines with Kara’s help.Producer to Producer book, pgs. 29-43
Guest Instructor: Kara Williamson
We Cover:
- Writing a documentary or feature synopsis.
- Creating your deck using Tom Malloy’s outline for a deck as all the legal information is current.
- Bios of your key people
- Finding Comparison projects
- How important is your budget?
- Robert Siegel, Esq. will answer questions on contracts.
Carole Joyce reviews hundreds of grant applications for the Roy Dean Great. She shares what she looks for in grant applications for documentaries, features and shorts. We close class with production questions. Introduce students to industry people who give good discounts to our FTH filmmakers and who are donors of FTH grants.
Carole Joyce reviews hundreds of grant applications for the Roy Dean Great. She shares how important the distribution area is for us. Who is your audience? We want you to tell us that you know your audience and you are communicating with them now or will communicate with them via social networks during the making of the film. We want to know where your film belongs. What streamer you think will be best for this film. Will you keep educational and community screenings for your own use? How will you reach your audience with your documentary? Carole shares one of From the Heart grant donors with the class. We know these people have excellent products and they are heart-felt donors and care for independent film
Buy the Class Recording for $26
Film Grants:
How to find, how to write your proposal, how to win.Producer to Producer book, pgs. 19-21, 35-44
Guest Instructor: Joanna Rabiger
Instructor: Carole Dean
Carole Dean is the Founder and President of From the Heart Productions, a top-rated 501(c)3 non-profit that supports independent filmmakers by helping them raise funding for their projects. Over thirty years through From the Heart’s fiscal sponsorship program, she has assisted filmmakers in raising over $30 million for their films. She created the Roy Dean Grant in 1992 and has awarded over $2,500,000 in grants to independent filmmakers, and helped to produce over 80 films through the grant. We Cover:
- Information on applying for grants. Joanna excels in helping filmmakers win grants.
- What goes into an award-winning proposal.
- How to apply for grants for features, docs, shorts and webisodes.
- What donors and grantors want to know but may never ask.
- What is the best search engine for grants.
Carole Joyce, Director of the Roy Dean Grants explains how to apply for grants. What grantors want on their outlines. She reads and reviews filmmakers proposals for documentaries and outlines and scripts for shorts and outlines and decks for features.
Buy the Class Recording for $26
Pitching HNI’s and Closing Investors
Producer to Producer book pages 45-68
Guest Instructor: Kara Williamson
Robert Seigel will discuss a project’s financial “waterfall” including:
Documentary Producers Alliance Guidelines for the waterfall. https://www.documentary.org/feature/documentary-producers-alliance-unveils-guidelines-documentary-waterfall We suggest you read this information if you are making a documentary.We Cover:
- What streamers want and how to approach them.
- How to pitch a distributor.
- What you need to close distributors.
- How do you reach the streamers?
Buy the Class Recording for $26
Securing Film Distribution: Tactics and Techniques
Producer to Producer pages 45 -51
Guest Instructor: Udy Epstein Teaches Distribution
Guest Instructor: Udy Epstein Teaches Distribution
Robert Seigel shares information on two types of distributors. Those that simply acquire films for distribution and those that help with financing, producing and distribution. Seems this is a smaller group.
We Cover:
- What streamers want and how to approach them.
- How to pitch a distributor.
- What you need to close distributors.
- How do you reach the streamers?
Buy the Class Recording for $26
The Art of the Pitch
Guest Instructor: Kara Williamson
We Cover:
- How to Contact a grantor before you submit.
- Pitching a grantor.
- Creating strategic partners with nonprofits and corporations.
- The art of pitching your film for funding and donations.
- How to use your nonprofit fiscal sponsor to ask for discounts.
Robert Siegel Covers:
1. COPYRIGHT IS BASED ON WRITTEN EXPRESSIONS. THEREFORE PITCHING WORK IS NOT COPYRIGHTABLE. IDEAS ARE NOT COPYRIGHTABLE. VAGUE, GENERIC, OR STOCK “IDEAS” ARE NOT PROTECTED BY COPYRIGHT LAW. 2. PRIOR TO SHARING A MOVIE IDEA, WRITERS CAN PROTECT THEMSELVES BY GETTING THE IDEA RECIPIENT TO AGREE TO COMPENSATE THEM FOR SHARING THE IDEA IF THEY WIND UP USING IT. IDEALLY, A WRITTEN AGREEMENT WOULD BE SIGNED BUT THAT IS NOT ALWAYS PRACTICAL. A CONTRACT CAN BE IMPLIED-IN-FACT THROUGH AN ORAL AGREEMENT OR COMMUNICATIONS THROUGH EMAIL. IT IS ALWAYS BETTER TO HAVE SOMETHING IN WRITING. KEEP AN E-MAIL CHAIN OF SUBMISSIONS (WITH E-MAIL FOLLOW UP AFTER PRESENTATION TO ACKNOWLEDGE THE SUBMISSION AND CONFIRM THE UNDERSTANDING OF THE PARTIES ESPECIALLY IF IT IS NOT WRITTEN.) CONFIRMATION IN WRITING BY PRODUCER IS BETTER BUT NOT ALWAYS POSSIBLE.
Carole Joyce will introduce you to another donor to our grants.
Buy the Class Recording for $26
Mastering Trailers for Fundraising and Engagement
Guest Instructor: Michael Torres
We Cover:
- How to shoot interviews to get the answers you need for your trailer.
- How music plays an important role in the trailer.
- Why funding trailers are a major necessity for docs.
- Making trailers for your feature.
- Editing your fundraising trailer.
Buy the Class Recording for $26
Color correction sets the mood of the film.
Guest Instructor: Sam Dlugach
We Cover for Investment:
- The benefits of color correction
- How your color correctionist can advise you on camera settings
- Save money on post productions
Finding the right person early in production can benefit you in many ways. Color correction artists advice should be included in choosing and using cameras, setting a mood for each act and much more. Bring your questions for Sam to answer.
Close class with production questions. Introduce students to industry people who give good discounts to our FTH filmmakers and who are donors of FTH grants. Homework: Read chapter 2 on script breakdown.Buy the Class Recording for $26
Learning script breakdown and completing the breakdown sheet Advice to make decision for original music or purchase existing. When and how to bring on your attorney.
Learning script breakdown and completing the breakdown sheet
Kara Williamson covers script breakdown. Script breakdowns are used for fiction or nonfiction projects with narrative elements like recreations. Maureen Ryan suggests you do this yourself rather than use a computer because it will be much more accurate. Kara simplifies how to do this. During production the producer often makes the script breakdown as the assistant director has not been hired.
Carole Dean and Kara Williamson discuss how important the cover sheet of the budget is. Your breakdown sheet will give you the figures for your budget. As grantors and film funders we give you what we think are important aspects that we look for on the top sheet. How people have lost grants by having their top sheet wrong. It is one of the most important elements in funding and financing your film.
Robert Seigel discusses composer agreements as well as synchronization licenses for songs and master use licenses for pre-existing recordings.
David Raiklen is a talented composer with top studio clients. He will share information on when to bring on your music person. He will answer questions and explain the costs and benefits of original music vs purchasing existing music.
We Cover:
- Script breakdown
- Importance of the top sheet
- Original music or existing, what is best for you.
- Benefits and timing of hiring a music person
- Answer all questions
Buy the Class Recording for $26
Budgeting
Pages 69 through 75 of the Producer to Producer book.
Guest Instructor: Jonathon M. Smith
We Cover for Investment:
- When you should create your first budget
- Everything but the kitchen sink budget
- Bare bones budget
- Budgeting software
- Top sheet
Carole Dean Covers:
- What grantors want to see in your budget
- How your budget can help you win or lose grants
- Getting real quotes for your grants.
- How important it is to be able to defend your budget.
- You should know every line item.
Carole Joyce Covers:
- Donors to the Dean grant to use on your films
- She explains how important it is to bring on people early in production
- Why you want your sound and color and D.P. in meetings with your director
Buy the Class Recording for $26
Film Funding
Producer to Producer book pages 108-111
Guest Instructor: Kara Williamson
We Cover for Investment:
- Presales
- Sales agents
- Equity investors
- Deferred payment deals
- Union signatory film agreements
- Donations and fiscal sponsorship
Carole Joyce will discuss successful crowdfunding techniques.
Carole Dean discusses how to apply for grants. She has been reviewing and awarding grants for 30 years and this is a compilation of important tips to win a grant.
Buy the Class Recording for $26
Pages 120 through 129 of the Producer to Producer book.
Guest Instructor: Donna McKenna
We Cover:
- Hiring a casting director
- Attaching an actor or star to your project
- Pay or play deal
- The casting process
- Labor rules for minors
- Extras, background actor casting
- To be union or not to be union?
Carole Joyce shares about From the Heart Productions new partnership with Largo.AI, the film industry’s leading artificial intelligence based program designed to give filmmakers crucial data and recommendations about their films.
Carole will share all about how the program works and walk through the results of a Largo report from an actual From the Heart Filmmaker. Read all about Largo below or Click Here to Learn More.
Robert Siegel, Esq., covers contracts with casting director and actors.
The information that Largo provides is an invaluable tool for pitching your film to investors and distributors, hiring crew, and making casting decisions. From content analysis and financial forecasts to character & casting analysis and packaging tools, Largo.ai is designed to empower traditional content creation workflows and help producers, distributors, and studios make smarter, more informed decisions.
Data from Largo is derived from
65,000 + Movies
50,000 + TV Shows
950,000 + Talents
Included with ReportHere are examples of just a few of the sections you’ll get in your analysis.
(These results are from an actual report from a From the Heart Filmmaker. The project name has been removed)
Financial Forecasts
Largo gives you detailed breakdowns of expected box office revenues for domestic and global markets. You’ll also get predictions for number of streaming views and the potential value of your project for major streaming services. Largo can also generate detailed financial projection reports based on Low, Average, and High forecasts.
Emotions Analysis
The Emotion Analysis graph illustrates the shifting dynamics of emotions throughout a story. The system intelligently breaks down the narrative into essential story sections and assesses the presence of 8 distinct emotions within each section. This graph offers valuable insights into the rhythm, pacing, and dominant emotions present in the content, providing users with a comprehensive understanding for expected emotional experience for the audience.
Positive Emotion Score indicates the distribution of positive and negative emotions within the content. A positive score suggests a prevalence of positive emotions such as Joy, Surprise, and Trust, while a negative score suggests a dominance of negative emotions such as Anger, Disgust, Fear, and Sadness. A score close to 0 signifies a balanced emotional landscape. It’s important to note that positive or negative scores do not inherently imply whether the content is good or bad, but rather provide insight into its stylistic positioning compared to other films.
Emotional Intensity Score reflects the intensity of emotional storytelling within the narrative. A higher score signifies a heightened intensity of positive and/or negative emotions, often correlating with increased user engagement. Conversely, a lower score may indicate a lack of emotional depth or a predominance of neutral storytelling. While there is no definitive formula for determining the ideal score, this metric aids in understanding the content’s positioning relative to other films.
You’ll also receive detailed analysis of your project’s genre breakdown, similar film comparison, audience demographics and age suitability.
Casting Suggestions
The system analyzes your casting suggestions and proposes its own suggestions for the best casting choices for each main character. It shows how good of a match they are, how popular they are, and the reasons they were suggested. This can be invaluable information to a casting director and to the potential actors you’d like to hire.
Through our partnership with Largo, From the Heart is now offering reports generated by Largo.AI for our fiscally sponsored filmmakers
Buy the Class Recording for $26
Pages 177 through 197 of the Producer to Producer book.
Guest Instructor: Chris Debiec
We Cover:
- Create location list
- The specifics of location scouting
- Check with local film commissions for leads
- Alternatives to hiring a location scout
- Finalizing location and negotiating the deal
- Backup locations
- Paperwork and location release form
- General liability insurance certificate
- Permits
- Shoot day protocol
- Leave it better than you found it
Buy the Class Recording for $26
Scheduling
(Thanksgiving is on the normal day)
Legal
Guest Instructor: Robert Siegel
We Cover:
- Chain of title
- Production issues
- Financing Paperwork
- General agreements
- Distribution agreements
Buy the Class Recording for $26
Scheduling
(Thanksgiving is on the normal day)
Guest Instructor: Kara Williamson
We Cover:
- Schedule principals
- Shooting schedule analysis
- Shooting script analysis
- Scheduling each shoot day
- Feeding your crew
Guest Instructor: Robert Seigel
Buy the Class Recording for $26
Lights, Camera, Legal: Fair Use and Film Insurance
(Last class of year)
Guest Instructor: Deborah J. West
We Cover:
- Annual DICE policies
- Annual Equipment floaters for owned equipment.
- Production Portfolios for Feature Films
- Short Term policies
- Errors and Omissions
Guest Instructor: Robert Seigel
Buy the Class Recording for $26
From Day One to a Wrap: Essential Strategies for Success in Film and Media Production with Lorenzo DeStefano and Legal Insights from Robert Siegel
Pages 254 -266 in Producer to Producer
Guest Instructor: Lorenzo DeStefano
We Cover:
- First day of photography to do list
- Second day disasters
- Wrap check list
- Enemy of production
- The actualized budget
Guest Instructor: Robert Seigel
Buy the Class Recording for $26
The Art of Post: Navigating the Postproduction Landscape with Jonathon Smith and Legal Considerations from Robert Siegel
Pages 301 – 317 in Producer to Producer book
Safety First: A Comprehensive Guide to Production Security and Wrap Strategies with Colette Smartt and Legal Insights by Robert Siegel
Pages 267-286 in Producer to Producer book
Guest Instructor: Colette Smartt
We Cover:
- Preparing for safety in pre-production
- Location permissions and planning
- Unset precautions and protocols
- Security for post and deliverables
- Safety protocols for equipment
Guest Instructor: Robert Seigel
Buy the Class Recording for $26
The Art of Post: Navigating the Postproduction Landscape with Jonathon Smith and Legal Considerations from Robert Siegel
Pages 301 – 317 in Producer to Producer book
Guest Instructor: Jonathon M. Smith
We Cover:
- Post Production begins in Pre-Production
- Planning for post
- Putting together a post production team
- Digital workflow example
- Deliverables
Guest Instructor: Robert Seigel
Buy the Class Recording for $26
Capturing Sonic Brilliance: A Journey through Set Sound and Post Audio with Jerry Deaton, Enhanced by Legal Insights from Robert Siegel
Pages 320 – 326 in Producer to Producer book
Guest Instructor: Jerry Deaton
- DX editing process & ADR process
- OMF or AAF delivery of non-edited production audio to the post house & formatting
- Music mix levels & EQ’ing
- 5.1 mixing
Guest Instructor: Robert Seigel
Guest Instructor: Jonathon M. Smith
Buy the Class Recording for $26
Melodies in Motion: The Art of Cinematic Music with David Raiklen and Legal Harmonies by Robert Siegel
Pages 301 – 317 in Producer to Producer book
Guest Instructor: David Raiklen
David Raiklen is an American composer, producer, educator, and host. David was mentored by Oscar winner John Williams and Pulitzer Prize winner Mel Powel. Dr. Raiklen studied at USC and CalArts and later taught at those universities. He has worked for the major studios including Sony, Disney, Fox, Sprint, Mattel, Warner Bros and PBS, plus independent productions. Hundreds of scores in media. His projects have starred Elliott Gould, Doug Jones, Blythe Danner, and Martin Sheen. David made the New York Film Critics Top Ten with the documentary Heist, short listed for an Academy Award® for Worth, and Mia, A Dancer’s Journey won the Emmy.
Raiklen’s music includes a cinematic hybrid of 21st-century sounds, neoromanticism, post-minimalism, and dance, seasoned with world, jazz, rock and pop. He works with live, acoustic musicians on recordings and concerts, plus custom electronics. David is inspired by the beauty and peace of nature and is an environmental advocate.
Raiklen compositions have been performed at the Hollywood Bowl and Disney Hall. He also was host of a successful radio program, Classical Fan Club, where guests include Yo-Yo Ma and John Williams; host and leader of The Academy of Scoring Arts seminars, and the National Association of Composers LA Conversations. David is currently producing and composing for Space Command, a series of epic adventures set in a hopeful future; creating live concerts, music videos, and producing live Augmented Reality experiences. He is musicalizing the history of the universe in Universe.
Member of TV Academy, NARAS, ASCAP, Board of NACUSA, AAAS
www.davidraiklen.com or on Facebook and YouTube
We Cover:
- Music – a director’s secret weapon.
- Finding a post production team and what to look for.
- Licensing songs – what every filmmaker needs to know.
- How to find perfect music for your film.
Guest Instructor: Robert Seigel
Guest Instructor: Jonathon M. Smith
Buy the Class Recording for $26
Guest Instructor: Tony Panaccio
Tony Panaccio is a 36-year media veteran, having started his career in the 1980s as a newspaper journalist for The Clearwater Sun, The Tampa Tribune and others. In 1989, Tony won the Florida Press Club Award for his eye-witness coverage of the execution of serial killer Ted Bundy, which is also where he met future agency colleague John Wilson. He later shifted his career into public relations with video game producer Capstone, where he also scripted many of their games, including William Shatner’s TekWar. During that period, he was also Shatner’s publicist for his various video game projects. We Cover:
- Three Pillars — Far too many indie producers focus primarily on the creative side of making films, leaving business affairs and marketing to others — or worse — just plugging along without much expertise in either. A good producer is at least going to understand the basic foodchain of marketing.
- No Marketing Strategy — A film without a marketing strategy is destined to fail, but what IS a marketing strategy? What are the primary obligations of a marketing strategy, and how do they inform the tactical marketing plan?
- Understanding Media — Today’s media landscape is constantly evolving. To keep up with it, you need to understand a little about the modern history of media and where it’s heading in 2024.
- Putting it All Together — PR, advertising, promotions and word of mouth are disciplines — when they are combined properly — can propel even a small indie directly into the national consciousness. So, what are the best practices involved to finish this race?
Guest Instructor: Robert Seigel
Our attorney Robert Seigel will discuss paperwork for archive researcher and recap of fair use. 
Guest Instructor: Jonathon M. Smith
Buy the Class Recording for $26
CLASS 25 – Saturday, March 30, 2024
Pages 361 – 368 in Producer to Producer book
Film Festivals
From Premiere to Prize: A Masterclass in Film Festival Success with Annabelle Munro and Expert Tips for Distributor Negotiations by Robert Siegel
Guest Instructor: Anabelle D. Munro
Anabelle is an award-winning actress, writer, director, singer, producer, and C.E.O. of the film production company Blue Boots Entertainment that she operates together with her husband Huntly Munro in Los Angeles.
Anabelle’s artistic focus is dedicated to purpose-driven filmmaking, like spreading awareness about recovery from addiction, healing, and discovering purpose and spirituality.
Anabelle is the founder and director of the ETHOS Film Awards.
We Cover
Film festival strategy
Film festival premiers
Jury and Audience awards
What to expect from a film festival
Posters, postcards, and photos
Guest Instructor: Robert Seigel
Our attorney Robert Seigel will discuss how to be prepared to talk to distributors at festivals, and know what to ask for.
Visit his website at http://www.rlsentlaw.com
Guest Instructor: Jonathon M. Smith
Jonathon shares how to survive and thrive as an indie filmmaker. Every class, he will teach different lessons on independent filmmaking to help make your project a reality. He is also A.I savvy and will go over different products and industry trends to keep you up to date on technology in Hollywood.
Buy the Class Recording for $26
CLASS 26 – Saturday, April 13, 2024
Low Budget Screenwriting Masterclass – Part 1
Learning the Fundamentals of Story Structure
Guest Instructor: Jonathon M. Smith
Jonathon M. Smith, is an actor/writer/producer who has been involved in the film industry for over 15 years. He started his career doing promos for Disney and Vogue as a teenager, and continued to work on multiple sets like Hannah Montana, Greek, Numbers, Heart of Dixie, and The Mandalorian.
At this time, Jonathon is currently producing and starring in a feature film called “The Terrible Children”. It has already been picked up by a distributor and is scheduled to release in the fall.
On top of his film career, Jonathon has done work for SAAS companies and the educational industry.
We Cover:
Why Learning How To Write Low Budget Screenplays Will Be Essential in The Streaming Era.
Learn The Basic Story Structure of Modern Films.
Why The Midpoint of A Screenplay Is Important
Understanding The 8 Main Story Drivers
The Most Popular Story Myths
7 Main Types of Story Goals For Your Character
Why It’s Helpful For Your Character To Have A Past Trauma or a “Ghost”
Guest Instructor: Robert Seigel
Our attorney Robert Seigel will discuss how to be prepared to talk to distributors at festivals, and know what to ask for.
Visit his website at http://www.rlsentlaw.com
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