How Filmmakers Can Benefit From LinkedIn Groups

LinkedIn Groups are Great For Sharing Filmmaking Info, Getting Tips, and Finding Work

by Carole Dean

Independent filmmakers seeking for social networking opportunities should not overlook LinkedIn Groups.   (And no one should overlook LinkedIn now that Microsoft paid $26 billion to purchase it).

LinkedIn Group Members Can Get and Give Advice on Story Structure, Budgets, and Funding

LinkedIn Group Members Can Get and Give Advice on Story Structure, Budgets, and Funding

There are groups to join for documentary, feature, and short films as well as crowdfunding and financing.

On my weekly Art of Film Funding  Podcast , I was lucky to spend some time with a cherished friend, Norman Berns, an Emmy award winning producer who is head of the LinkedIn group for Film & Television Professionals.   They now have over 200,000 members.

Norman shared with me his insights and tips on how best to use LinkedIn Groups.

Why should filmmakers join online groups?

“Why do people go to the town square and hang out for the evening? You do it because that’s where the people are.” suggests Norman.

“If you want to find out from filmmakers, where do you find a whatever, anything from a prop to a location to a producer, those are the people you would ask.  And if you sell it well enough, if you present the information well enough, you’ll get a good answer.”

What should you do when you join a LinkedIn Group?

“Alright, we have this town square”, said Norman “If you rush into the town square and you say, ‘I’m here, I’m here, look at me,’ people will wander away.  You have given them nothing.”

The best way to start is to share something that you learned.  Share your experiences in filmmaking.   The easiest thing people can do in groups is to share knowledge and come off as the wisest person in the room.

How can you get people to give you advice on your film?

If you want people to look at your film, if you want to utilize the group, explain what you did.

“Say, ‘Look, we had to go to this location, we only had xxx dollars. We climbed a mountain. We used this camera and these lenses and we put the camera “here”.  You tell me how difficult it was to film in this location. Then I’m interested.”

But, just saying “Hey, look at my film!’” Norman warns, “Doesn’t work well.”

So, if you’re free with information, if you give, before you ask to get, you will get a good response.

How do you market yourself and actually make money for a professional4 service in a group?

Norman said his group has a lot of people in it who work closely with story structure, who teach writing, who talk about protagonists, antagonists, all the pieces that make up a good story.  They’re really incredibly generous and some have workshops.

But, if you want to get people into your workshop, you have to set out a lot of breadcrumbs of wisdom to attract them.  As they come in picking up all these bits of knowledge you’ve laid out, they will eventually come through your door.  It takes some effort.

This is the helpful and the respected way to promote yourself online in groups.  Then you can tell people when you have a seminar and you have a much better chance to get customers.

How do you promote your talents to get work?

Norman’s advice is to answer:  “Who are you? What are you talking about?”

“If you come to me and you say, ‘I made a film for $20,000. I had these people in the cast. We shot for these many days, and I used this special crane that I had my grips build.’

Well, all of a sudden I really am interested, I really want to know.”

The people who say, “hire me, hire me”, are missing the point.

“If I like what you’re telling me, if I like the product that you’re delivering, I’ll hire you. But, I’m not going to start the conversation by hiring you, and then figure out whether I like your stuff.”

Can you talk about funding for your film?

Norman said that he limits this discussion to technique rather than making an “ask” from the group.

What’s fair and acceptable is for someone to say, “If I were looking for money for my film, where would I go?”  That’s worthy of a discussion.

“But please do not say,” Norman chides “Go to my Indiegogo campaign and donate!”

You can check out the entire Art of Film Funding podcast with Norman Berns for insights on LinkedIn and producing.

Carole Dean is president and founder of From the Heart Productions; a 501(c)3 non-profit that offers fiscal sponsorship for independent filmmakers. She hosts the weekly podcast, The Art of Film Funding, interviewing those involved in all aspects of indie film productionShe is also the author of The Art of Film Funding, 2nd Edition: Alternative Financing Concepts.

Three Top Tips for Indiegogo Success

How much planning should go into your film’s Indiegogo campaign?

Are the perks you picked going to attract donors?

Have you created a plan to share interesting, relevant content?

To get answers on these questions and how to create a successful crowdfunding campaign, Carole Dean interviewed Indiegogo’s New York-based Manager of Film, Kristen Konvitz.

About The Art of Film Funding Podcast               

From the Heart is a partner with Indiegogo and has raised over $1.7 million to date for filmmakers.  Hosted by the president of From The Heart and author of “The Art of Film Funding”, Carole Dean, the weekly podcast focusing on bringing to filmmakers the best advice, knowledge, and expertise on film funding and filmmaking.

You can check out all the podcasts at The Art of Film Funding on Blogtalk Radio.

In this latest podcast, she interviews Indiegogo’s Kristen Konvitz.  Her role at Indiegogo includes acquiring projects in varying stages and overseeing them through all stages of their campaigns.   She is instrumental in building relationships between both established and up and coming talent.

Kristen reveals the three top tips to a successful crowdfunding campaign as well as details on Indiegogo’s new partnership with Vimeo.

You can listen to the entire podcast here

Three Top Tips for Success on Indiegogo

Kristen draws on the success of the Indiegogo campaign for Iron Sky for her 3 tips.  Iron Sky has run two very successful campaigns on Indiegogo.  The first raised over $160,000 while the second raised over $480,000.

Iron Sky called their three tips the “trifecta” (although, maybe after realizing its importance to their success, they now call it “The Holy Trinity”).

Unique Perks

To stand out, you can’t just offer hats or t-shirts.  Those are standard items and won’t really generate any excitement or buzz about your project.  Offer perks that are very personal to the film, filmmaker, or story.   Think of what would tie in to the film that you could not get any were else.

Some perks that are experiential will create interest in your project.  Iron Sky offered a part in the film where you would be chased by a dinosaur.   Even if you did not choose that perk and donate, it was shared by many on the internet creating awareness for the project.

Constant Updating

Prepare yourself as much as possible for the campaign.  That includes mapping out a campaign strategy for the content you will share.   Plan out different photos, videos, interviews,  as well as new perks that you will release during the campaign.

Good Content

The content you plan and share for your project can’t be spam.  It can’t be “support my campaign” or “donate now” over and over.   It can include that every so often, but the content should be interesting and make people want to share it.   It can include stories about the cast and crew.  Photos of the project in pre-production.  Also, include articles about events or news related to your project (Doing a documentary on fashion?  Include related stories on fashion industry)

Iron Sky prepared videos in advance featuring a character for their film.  It was like a mini trailer, but each was unique and increased interest in the project which lead to increased donations.

vimeo indiegogo

Indiegogo’s Partnership with Vimeo

Announced in January, this partnership was created to give filmmakers who raise funds on Indiegogo a chance to be seen. Indiegogo realizes that most films will not get a traditional theatrical or VOD distribution.   This partnership allows eligible films to shown on Vimeo and get needed exposure.

Vimeo’s new Creator Fund will commit up to a million dollars in matching funds for select Indiegogo film campaigns in 2015.  Vimeo will contribute digital marketing spend and social promotion for campaigns in the matching funds program and other selected Indiegogo film campaigns.

For these funds, Vimeo will get a 60 day digital exclusive for that film.  It does not preclude the film later getting a theartrical release, for example, at a film festival.

The partnership is off go a great start.  It has received 166 submissions so date.  You can read more about the partnership at Indiegogo and Vimeo Partnership.

 

Rachel Seed Wins Roy W. Dean Film Grant

Winning documentary explores director’s search for the mother she never knew through their shared love of photography.

From The Heart Productions, the film funding non-profit that oversees the Roy W. Dean Film Grant, has awarded the 2014 Summer Film Grant to director Rachel Seed for her documentary “A Photographic Memory”.   Rachel will receive nearly $30,000 in film services and cash to help her complete her project.

Contact Sheet by Sheila Turner-Seed

Contact Sheet by Sheila Turner-Seed

Thirty years after the death of her mother, Sheila Turner-Seed, photographer Rachel Elizabeth Seed discovers her work—interviews with some of the greatest photographers of the 20th Century, including Henri Cartier-Bresson, Lisette Model and W. Eugene Smith—in her father’s garage.  When she threads the audio reels and presses play, she hears her mother’s voice for the first time since she was a baby. Rachel finds it familiar and comforting, and is transformed by the experience.

Wanting to know more about her mother and to revitalize and honor her work, Rachel revisits the photographers, as well as her mother’s friends and family, to learn who she was while also looking at how photography can help preserve memory and reconnect us with those we have lost.

Rachel Seed and Mother

Rachel Seed and Mother

Through this process, Rachel reconnects to her mother by discovering how much they have in common: their looks, ambition, career paths, and desire to settle down and have a family.  However, in order to move on with her own life, Rachel comes to realize she must set herself apart from Sheila, and to do that must find out if she has the same genetic predisposition to early death that took her mother’s life. Rachel’s ability to forge her own path hinges on these medical results.our country.

“In A Photographic Memory, I go on a journey to learn – through our shared profession – about the mother I never knew but whom I so desperately need to know.” Rachel explained on her Kickstarter campaign page for her film.

“I am blending my mother’s 1970s interviews with my own footage, creating a posthumous mother-daughter collaboration that connects me to my mother while re-examining the course of the careers of some of the most influential photographers in the history of the medium.”

In addition to $2,500 cash given by From The Heart Productions, the winner receives goods, services, and discounts including hard drives from G-Technology, tape stock from Comtel/Edgewise Media, marketing consultation and services from Smart Girls Productions,  audio post production from AudioKut, a full scholarship to The Writer’s Boot Camp,  lighting from Paskal Lighting, and much more from many heart-felt donors.

About the Filmmaker

Rachel Seed

Rachel Seed

Growing up surrounded by photography, Rachel Seed became a photographer nearly 20 years ago and has run a successful freelance business for the past few years, while also earning an MFA from Indiana University (in progress since 2009).  Since 2006, she has conducted 35 video interviews internationally of women and men whose mothers died when they were young, also photographing them.

This work has been supported by several grants including the Artist Enrichment Grant from the Kentucky Foundation for Women, The Yarka Vendrinska Memorial Award at the Maine Media Workshops, and a World Affairs Council Association grant for international travel, and exhibited in Russia and the United States. She was also named a Top 25 Artist at 3rd Ward Brooklyn’s annual contest in 2010.

About the Roy W. Dean Grant

Now in its 23rd year, the Roy W. Dean Grant funds unique films that make a contribution to society.  It gives filmmakers with great stories, told with passion, the funding to get their projects started or completed.  Films submitted to the grant can be short films, documentaries or features from early stages of pre-production to those needing help in post.

The grant has been integral in making sure that talented artists with great stories get their films produced.  Recent past winners of the grant that have been completed include the award winning “Heist: Who Stole the American Dream” and “The Winding Stream: An Oral History of the Carter and Cash Family” which is now showing in film festivals around North America.

About From The Heart Productions

From The Heart Productions is a 501(c)3 non-profit dedicated to helping filmmakers get their projects made.  Besides providing funding through the grant, they are also a fiscal sponsor which allows donations made to films they sponsor to be tax deductible.  From The Heart has raised over $1.5 million for crowdfunding films as a partner with Indiegogo.  President Carole Dean is the best-selling author of “The Art of Film Funding” which is now in its second edition.

 

The 2015 Roy W. Dean Spring Grant is now accepting submissions.  Cash value has increased this year to $3,500.  If you’d like to submit your project, please go to the Roy W. Dean Grant Application Page and follow instructions.  The deadline for submissions is April 30th 2015. 

3 Nuggets of Gold: Indie Marketing and Distribution Expert Jon Reiss

Digital Media Strategist

Digital Media Strategist

by Elizabeth England

What’s a PMD?  Something every indie film budget needs, a Producer of Marketing and Distribution.  Carole Dean’s interview with Jon Reiss was astounding in its torrent of knowledge and ideas, giving us a glimpse of the raw curiosity that drives Jon’s filmmaking.  Daily Variety named him as a ‘digital director to watch.’ (Jon in Wikipedia.)

Check out his imdb.com!–fascinating films and subjects–Robotic Mayhem from Survival Research Laboratories; Bomb It featuring rave influencers Crystal Method and Moby; and Bomb It 2 exploring global graffiti leaders. His current project is producer and PMD (a dual role he doesn’t recommend) for a breast cancer awareness doc following the treatment choices, decision-making and post-treatment stories of several women.

This interview is so chockfull of smart info and brilliant ideas—I’ll share a few of the nuggets.  (Listen to the interview for so much more!)

Nugget 1 –  Every indie film budget needs a PMD, a Producer of Marketing and Distribution.  The PMD develops and implements a marketing and distribution strategy at the start of the project.  The PMD ensures early and ongoing engagement of the target audience through a storytelling platform, develops niche-influencer partnerships, and defines a festival, live event and digital strategy including merchandise and delivery.  The PMD starts with a low percentage of budget and high time investment and inversely ramps up over the life of the project.

At the project’s start the PMD’s focus will be audience and partnership strategy and development, a big investment of the PMD’s time.  As the project matures, the PMD’s budget will increase with live event, digital and merchandise strategy rollouts leading up to the ‘premiere’ event.  Once the film is released, 100% of the budget becomes marketing and distribution related expenses.

Basically, it’s a key job that needs to be baked into today’s indie film budget if you want to “dent the media landscape,” as Jon put it.  Makes sense, huh?

Nugget 2 – To engage, build and maintain your audience relationships, have a storytelling platform that lives alongside the film project.  The storytelling platform will build your audience community and create a win-win relationship, nurturing partnerships with like-minded influencers and organizations in your story niche.

Jon’s example: His current breast cancer project examines the controversial questions about over-screening and overtreatment, trends in lumpectomies and mastectomies, and issues of reconstructive surgery.  The breast cancer film’s storytelling platform is partnered with a like-minded charitable organization, sharing their audiences and publicity campaigns during the project.  His tip for filmmakers with controversial subjects—engage influencers early and hold off on social media promotion of your topic until there are strong strategic partners with buy-in to share in diffusing controversy. A win-win for both, the breast cancer charity will ‘inherit’ the film’s storytelling platform after the film reaches distribution–a real motivator for charity buy-in.

Nugget 3 – Think about ways to engage your audience both episodically and for your one off film premiere. There was so much good advice here I’ll just touch on it so make sure you listen to Jon’s interview for more info. Powerhouses like Netflix and HBO are tapped into consumer preferences for series, gaining the advantage of repeating promo and recurring royalties for replays—but they have the ad money for series promo.  Taking a cue from the series concept, Jon uses production and post-production to deliver a series of live events with film previews to elicit feedback, engage audience discussion and make adjustments for the desired impact.  His idea: release discreet film clips with fanfare as a series to build fan base and excitement for the final product. Using this model, the live events format could range from mini-screening parties with interactive discussions, to publicity events…whatever suits your topic…or a mix of both during post-production.  Post release, additional content not in the final cut makes great series content for ongoing audience engagement and film promotion on the storytelling platform. You can take any of this and run with it to suit your project. (This idea applies during the filmmaking and between projects, too, engaging your loyal fans until your next film is released.)

Audience development tips.

  • Make the media match the audience: know who your audience is and develop content that engages them directly as early as possible in the project.
  • Marshall geographic/regional support: If you can link your film subject to a community or region, you’ll interest local press and publicity for your project.
  • Strategic relationships: develop win-win relationships with both influencers and organizations in your niche subject.  Having the support of celebrities, bloggers, charities, civic groups or even government agencies to develop your audience should be a win-win. To develop these relationships, just introduce yourself and connect, and be prepared to answer should they ask what you have to offer and what you want from them, such as screening outreach, dvd promotion, profit sharing, co-publicity events, etc.  Jon’s breast cancer strategy started with the influencers and organizations in the breast cancer niche, then expanded to embrace influencers in women’s health.

Some last few tidbits to chew on:

  • One off films are easier to produce events around than a series because a filmmaker has more opportunity to dent the media landscape—but take advantage of series elements in your marketing.
  • Your final film doesn’t have to have a 90-minute format!  45 minutes more or less is an optimum length for a live event with publicity or a screening party with interactive discussion.
  • Check out the interesting events other indie filmmakers are doing like This American Life and HitRECord.

Jon wants to talk to you.  He made it clear in this interview that he is very curious about what you are up to – he just loves talking to filmmakers. Once again, thanks go to From the Heart’s Carole Dean for her extensive reach into the world of independent filmmaking to deliver this great interview.  Here’s more info from Jon, including how to get him on the phone for a chat:  www.jonreiss.com; Jon in Wikipedia; Think Outside the Box Office; and Jon’s Free Consultation.

 

8 Tips from Film Funding Masters Marc Hofstatter and Carole Dean

By Elizabeth England

Did you know that 89% of IndieGoGo campaigns that reach their goal will overfund by 30% or more?

Or that 1/3 of IndieGoGo’s donors are international contributors from 70 countries?

These are just a few of the juicy tidbits I picked up listening to Carole Dean’s interview of IndieGoGo’s Marc Hoffstatter, Head of Film (@theoriginalhoff) on The Art of Film Funding on Blogtalkradio.

From The Heart Productions has been a partner with Indiegogo since 1991

Partnered with Indiegogo, From The Heart Productions has helped independent filmmakers raise over $1 million for their films

From the Heart has a unique partnership with IndieGoGo.  As a 501(c)3 non-profit, From The Heart provides filmmakers with fiscal sponsorship which allows donors to get tax deductions.   Filmmakers also get flexible funding.  That means they get paid even if they don’t reach their goal.  As an Indiegogo partner, From The Heart has helped filmmakers raise over $1 million to date.

I was delighted to pick up these expert insights and master tips, and give you an overview of the road map they shared.

Build Your Film Contact Database:  90% of your crowd funding comes from your list and their friends.  During pre-launch, leverage your database to create excitement and get commitments for 20% of your campaign goal from funders.  Then have a plan to get your committed funders to donate in the first two days of your campaign.  Reaching 20% of your goal in the first 72 hours will get you noticed beyond your list by IndieGoGo fans and create momentum to fund to 100% of your goal ahead of schedule.

Aim Low – Fund High: Marc and Carole recommend being conservative in selecting your

Marc Hofstatter - Head of   Film at Indiegogo

Marc Hofstatter – Head of Film at Indiegogo

goal to fund faster and stronger.  Hitting that 20% in the first few days is crucial.   It shows you’ve got support and creates momentum which attracts more donors.   So, even if you want to fund your entire feature at once, it’s best to start by funding just part of it.  Besides, 89% of the campaigns that hit their goal overfund by 30%.

Plan to Go Beyond Your Goal.  Carole pointed out that many filmmakers reach their goal early and are at a loss as to what to do for the rest of the campaign.  Marc suggested creating pre-planning stretch goals to keep the momentum going.  For example, imagine telling your fans how stoked you are that you’ve reached 100% of your goal early and now you can do what you had only dreamed of…shoot that scene in 3D with another $2,000 (or whatever your first stretch goal is.) That early success is the juice keeping your fans engaged and your campaign exciting.

Don’t Forget The Pictures:  Marc recommends that you make your Indiegogo campaign page a strong visual representation of who you are, what you are doing and your unique style and talent.   It should not be a page filled with words.   Potential donors must be visually drawn in by your campaign page.  They want to see your style and get a taste of what your filmmaking will achieve with their help!

No Time for Trailers.  Carole and Marc agree that at the start of a campaign a Pitch Video is more important than a trailer.  You need to show donors why you are making the project and why it needs to get made.   Don’t forget to have an “ask” and a call to action to ask them to donate.  But even your pitch video MUST represent your filmmaking vision and style AND give them a reason to click ‘Donate NOW.’  Chances are, they aren’t coming back, so close them NOW.

My own two cents? Consider this – Make a pitch video with two endings:  One for pre-launch promotion and the second for the campaign ask and close.  Another key element on your campaign page is your team: who is on board with you and what are their roles?  Your team inspires confidence in your ability to get the job done with their money, so let your funders know you have quality business and creative talent on board to finish the project.

Pre-planning is Critical: Marc suggests to plan what you are going to do to maintain momentum and excitement at 5, 10, 17, even 22 days into your campaign.  Work out predefined benchmarks for stretch goals, pre-written social media content for both during and beyond your campaign, and new and exciting perks that stimulate new funders.

Out With the Old Perks. Plan to introduce exciting new perks during your campaign that stimulate funding.    Some funders may prefer a credit over a premiere ticket so changing up the perks will attract new funders.  Choosing smart perks like digital downloads and experiences are easier to fulfill and have less impact on your budget than a perk you have to pay for and ship.

Your Crew is Your Team.  Mark recommends having a team on your campaign of at least four.  1- outreach to those organizations and individuals aligned with your project to get their support; 2- provide regular updates, responses and new perks on your campaign page; 3- email campaign management and response; and 4- social media content and interaction.  Carole and Mark emphasize that you are marketing your film already at this early stage–building a fan base, and hopefully attracting the attention of sales agents, distributors and advocates so treat it that way.

Other key points covered:

  • Campaign sophistication will jump in the near future with the entry of major players into the crowdfunding arena as seen in the recent campaigns for Sharknado and Rooster Teeth—this is great for getting your project noticed now by serious film fans and funders.
  • Crowdfunding blogs and thought leaders are interested in your campaign and your project—so add PR outreach to your planning.
  • Your success at funding your campaign is directly proportionate to retaining creative control of your project.  Crowdfunding averages 10% to 35% of a film’s total budget funding, with the balance from grants, equity financing, foreign sales agreements.
  • Crowdfunding is still relatively unknown and is poised for tremendous growth as market awareness explodes and the impact of recent Title II and Title III rulings make room for crowdfunding equity financing with both accredited and unaccredited investors.

The bottom line is that crowdfunding is far from maturity and is the best tool available for filmmakers to simultaneously get exposure for their talents while marketing and funding their projects.

From the Heart’s unique partnership with IndieGoGo gives you a powerful advantage:  a flexible and continuous funding platform combined with decades of experience mentoring filmmakers. Take advantage of this priceless access to this winning combination now.

Here are some cool links I found researching this article that I’d like to share with you:

June 24th Google Hangout with Marc Hofstatter:  http://www.indiewire.com/article/attention-filmmakers-learn-how-to-crowdfund-successfully-in-upcoming-google-hangout-with-indiegogo-kickstarter-and-seed-spark-20140619#.U6SBOREN9Ec.twitter

IndieGoGo’s Essential Tips:  http://go.indiegogo.com/blog/2014/06/essential-tips-for-running-an-indiegogo-campaign-part-ii.html

Title II and IndieGoGo: https://go.indiegogo.com/blog/2013/09/update-on-the-jobs-act-title-ii-and-crowdfunding.html

Rick Dean Crowd 2Don’t get lost in the crowd

Stand out and get funded with From The Heart and Indiegogo.

No penalty if you don’t reach goal, tax deductions for donors, personal mentoring and support. 

Just apply at the From The Heart Indiegogo Partner Page

 

 

Touch My Heart…And I’ll Open My Pocketbook

By Carole Dean

Everything in your room was a thought before it became a material object.   Thought creates matter.   So says Ken Elliott, author of Manifesting 1, 2, 3, and you don’t need 3  who we interviewed for our The Art of Film Funding Podcast.

Painting by Rick Dean

Painting by Rick Dean

His information is fascinating.  He shares how he learned to send visions of his thoughts to his teacher.  From this, he went on to manifest a successful career as an artist as well as writing an important, well received book.

Does your film need funding?   You need to see what you want.   Ken says this is the first step in manifesting.  Then, “move it from your head to your heart.”   We communicate through our heart chakra.

Find this heart place to send your vision to the universe.   Remember how special you feel when someone says something that makes your hand touch your heart? 

Tell me a great story, touch my heart, and I will open my pocketbook!

Send Your Visions With Emotions

I think you should send your visions with emotions.  I like my requests to have“urgency”.  So I send them up with joy, happiness and gratitude.  Emotions heighten manifestation.

Ken talks about children who manifest what they want.  They see it, they say it, or point to it. and they become relentless in their request.  They get what they want through. 

Focus, Focus, Focus

Once you start focusing on a vision things happen.  In our Intentional Filmmaking Class, we focus on what we want by listing it and envisioning it as completed.  We list what we want and send our intentions/visions as if they have happened. 

That seems to be essential.  You have to believe you have it.  You are living in it.  It is.  Once you step into the reality that “it is” you can “feel” it and “see it.”  This clear vision is a key to manifesting.

Make a Manifesting “To Do” List

Ken mentions list making.  That’s what we do in our class.  We make a list of what we want.  Short and concise so that we can read it daily and these things become reality. 

Ken says that a friend of his who is an out of body person could see his list of things start to manifest on the other side.  Then it comes into our reality.  I don’t know about this.  I just know that the “how” is not important.  I know the vision and imaging that you have it is the key to manifesting.

Manifesting “The Secret”

Did you know that Rhonda Burns and her crew manifested their top selling film The Secret? by using the concepts in The Secret? They manifested what they wanted. They saw this film opening all over the world at once.

At that time, there was no way to download a full film.  That’s how much faith they had.  They envisioned the outcome they wanted. While they were making the film it became possible to download a full feature and they achieved their vision.

Convert Your Worries Into Actions

Ken Elliott says that your biggest enemy is fear.  You can overcome it by converting your worries to action items.  Put them on your calendar. 

I find he is right.  I keep a pen and paper and when thoughts come to me that could be a fear, I write an action note to solve the problem.  For some reason the brain stops worrying. Then the next day, if it is still a worry you focus on it or you let it go.

Ken says to create a movie for the future first create it in your mind. Close your eyes and imagine you are in your future. See the future and live it.  Be on your couch in a lovely home sitting at the end of the day and seeing your film completed.

The Power of Gratefulness

Use the heart now by sending feelings of love and gratitude while you see the completed film and discuss your success. He says you use one of the most powerful things in the universe: gratefulness.  Be grateful that you have the finished film. Charge it with gratitude and love.  See this movie once a day.

This manifesting is available to all of us.  Thought is real, it can create we know this from quantum physics. Why not believe you can improve your life, create more joy, make a film and fulfill your heart’s desire?  Even if for only 90 days, why not use your vision, lists, focus, lack of fear and most importantly faith to create your film?

 

Carole Dean is president and founder of From the Heart Productions; a 501(c)3 non-The Art of Film Funding Podcastprofit that offers fiscal sponsorship for independent filmmakers. She hosts the weekly podcastThe Art of Film Fundinginterviewing those involved in all aspects of indie film productionShe is also the author of  The Art of Film Funding, 2nd Edition: Alternative Financing Concepts.  See IMDB for producing credits.