An Invitation is at the Heart of Crowdfunding

Don’t think of crowdfunding as asking for money.  Think of it as inviting people to join your community.  You’ll be a lot more successful 

by Carole Dean

Inviting

“Invite People to Join Your Community” When Crowdfunding

When you are crowdfunding, you may think you are just asking friends, relatives, your dentist, for donations.  But, you are inviting others to join together to support you in the making of a film.  

Asking people to “join your community to make a film” is a totally different energy than asking people for donations.

This is the energy of inviting.

When Creating Your Crowdfunding Page Write it Like an Invitation.

People love films.  And hopefully, they will love yours enough to join accept your invitation. 

Every film has something remarkable about it. What is remarkable about your film?  What is it about it that will make people join together and make it happen?

Use the concept of a “sticky story” (make this a link to the article) so that people can remember what you tell them.  Create a story with something emotional, something shocking, something concrete and something very credible so they can remember and pitch your film to their friends and earn social currency.

Make a List of What You Need People To Bring

You need more than money to make a film.  The benefit of bringing a community together is gathering together those with different talents and skills.   Talents and skills you need to make your film.

You should list exactly what you need.  That might be people to help you with social networking, a personal assistant, a driver, or someone to help with food on the production, etc.  Think of the things that you want and ask for them on your page.

How to Answer “What’s In It For Me?”

You can’t invite someone to join in making your film without expecting to give them something in return.  Donors always want to know “what’s in it for me? “   

This is where you can get off the charts creative with your gifts for supporting your film.  You could have standard gifts like t-shirts, mugs and social media shout outs, but I really, find these are boring gifts.  

Think of something unusual and exciting.

Gifts That Donors Share With Others

Here’s one great example.  One person on a crowdfunding campaign was very talented with the Photoshop.   He asked people who donated “where do you want to be?” Then,  he took a photo of them and photo shopped them to that dream location. 

One person was put on the moon and another in the South Seas.  Another was place on an expensive yacht.  Of course, the donors loved these photos and they quickly posted them on Facebook, twitter, all over social media.  They also and drove new people to the filmmaker’s campaign and this created new donors.  This is what you want. You want your donors promoting you.

Recently, I had a filmmaker offer a hand-drawn portrait for $100 on her network for good campaign.  I couldn’t resist!  So I donated and she sent me a precious hand-drawn photo.   It was well worth the hundred dollars and the fun of seeing a personal rendering of a photo.

Use Your Creativity

Use that brilliant creativity of yours for your crowdfunding.  Don’t just focus on how you can get money out of someone.  Think about how you can get them to accept your invitation to help you and others make your film a reality.  

 

Carole Dean is president and founder of From the Heart Productions; a 501(c)3 non-The Art of Film Funding Podcastprofit that offers fiscal sponsorship for independent filmmakers. She hosts the weekly podcastThe Art of Film Fundinginterviewing those involved in all aspects of indie film productionShe is also the author of  The Art of Film Funding, 2nd Edition: Alternative Financing Concepts.  See IMDB for producing credits.

6 Key Tips to Help Win a Film Grant

Need to win a film grant?   Carole Dean shares her wisdom and experience on why it helps to know your audience, nail down your story, and never give up! 

By Carole Dean

Win a Film Grant

Roy W. Dean Grant winner Leslie Neale and From the Heart Productions founder and President Carole Dean

Having overseen the Roy W. Dean Grant for 26 years, I’ve read thousands of grant submissions.  Through my non-profit, From the Heart Productions, I’ve helped our fiscally sponsored filmmakers apply for and win hundreds of thousands of dollars in local, state, and foundation grants over the last 25 years.    

I know what makes our judges and others seriously consider a grant application.   Here are some tips on how you can improve your chances to win a film grant for your project.

Film Must Fit Criteria for the Grant

Grantors say this is the number one reason for denying a film a grant.  So be sure you have a chance to be accepted before you put in your time.

One woman filmmaker I worked with applied for 5 grants and won 4!  This was Rebecca Dreyfus and her film “Stolen” won the Roy W. Dean Grant.  How did she win so many?  She did not apply for hard to win grants that might have been a reach for her project.  She chose carefully and put her energy into grants she felt were the best fit for her film. 

Story, Story, Story

At the Roy W. Dean Grant, we fund stories.  Other grantors look for great stories as well.  Brilliant, heart-felt, revelatory, life altering stories with strong characters.  So when creating your application for the grant, you will need a visually written proposal.  It needs to let me “see” the film as I read your proposal. 

For Documentaries, Tell Us What The Film Will Be About

I realize you don’t know what will happen when you turn on your camera to make a documentary.  In fact, many times you are taken into an entirely different film.  However, you have to tell us what you think the film will be. 

We know you often don’t know and that’s ok.  The filmmakers behind the award winning “Virunga” thought they were just doing a documentary on an park rangers at an animal preserve when a civil war broke out.  But, we want to know that you have thought it out carefully and you “think” you know where it is going. 

I can say that most of the documentary films we funded, where the filmmaker did not know what the film would be about in the end, turned out better than any of us imagined. 

Why Are You Making This Film?

I want to know this up front.  This information tells me if you are there for the long, hard times that may lay ahead.  I want to know:  Do you have the tenacity to finish?  You have to allay my fears in the beginning of your proposal with your passion.

Who Is Your Audience?

Do you have any idea who the people are who will want to see your film?  Do you know how you will reach them?  I want you to tell me that.  All of the grantors want to know this.  Just making the film is not enough; you have to identify who will support it.  Attach your audience to the film as you are making it.  Tell us how you are doing this.

Never Give Up!!!!

It was the motto of the Suffragettes and I want you to adopt it.    Know that rejection is part of the process and that you will learn each time you are rejected.  Know that each grant you enter, you get better and so does your film.  And, you now know the people at that granting organization and in our industry.  Who you know is an asset to you.

 

Carole Dean is president and founder of From the Heart Productions; a 501(c)3 non-The Art of Film Funding Podcastprofit that offers fiscal sponsorship for independent filmmakers. She hosts the weekly podcastThe Art of Film Fundinginterviewing those involved in all aspects of indie film productionShe is also the author of  The Art of Film Funding, 2nd Edition: Alternative Financing Concepts.  See IMDB for producing credits.

Using Your Subconscious to Manifest Your Film

By Carole Dean

By using the conscious mind to impress a belief on the subconscious with feelings and visuals (and using every fiber of your body), it causes the subconscious to accept that belief as truth.

 

SubconsciousWhat do you think of those people who get up on stage at the Academy Awards to accept an Oscar and say that they’ve been dreaming about this moment since they were kids?

You rolled your eyes and laughed, right?  

Well, believe them.  They used their conscious thoughts to manifest and create their success.  You can too. 

The Law of Consciousness

Consciousness, believes noted physicist Amit Goswami, came first in the beginning of time. First, it was consciousness and from that all things evolved.

The knowledge of the law of consciousness and the method of operating this law allows you to accomplish all you desire in life.  This is the philosophy of many wise people. 

However, first you need a working knowledge of this law.  Then, you can build and maintain a great life, an ideal world for yourself.

The Conscious Generates Ideas

“Consciousness is the only reality”, said influential teacher and author Neville Goddard.   Neville states that consciousness is personal and selective where subconscious is impersonal and non- selective. 

Neville believes that the conscious generates ideas and impresses ideas on the subconscious.  Also, he says that first conceiving an idea and then impressing the idea on the subconscious allows all things to evolve out of the consciousness.  

This is the only way, he posits, to create your future and bring to you the future you want.   Because the subconscious does not originate ideas, it accepts as true those which the conscious mind feels to be true.

This is the heart of the matter.  

Getting An Award in Your Hands

Remember when those who win also say they “feel the joy and excitement of being on stage receiving this award?”

That is the result of the conscious impressing on the subconscious the future they intended to create.  By doing that, it becomes a reality.

I think this is a powerful concept.  By using the conscious mind to impress a belief on the subconscious with feeling and visuals (and using every fiber of your body), it causes the subconscious to accept that belief as truth.   

This is how you manifest.  This power to imagine and feel is original for humans.   

Using Your Feelings to Influence Your Subconscious 

You can get control of the subconscious through your control of your ideas and feelings.

What you feel and see the subconscious believes.  This is a gift that we all have.  It is important to understand that what we see and feel, our subconscious believes.

What is it you want to achieve? The first thing that we want you to do is set goals. You want to visualize and feel your goals in order to achieve them.  

Consciousness creates the vision and the subconscious believes it’s real. Because your subconscious mind does not originate an original idea, it accepts as true those which the conscious mind tells it.

The next important thing to realize is that ideas are impressed on the subconscious through feeling.  The filmmaker that envisioned winning the Academy Award visualized being onstage accepting the award and giving his/her speech. 

It’s the energy in the feeling that creates the future.  Your feeling is the most powerful medium that you have to get your ideas to the subconscious.  If you’re not in control of your feelings, you could easily be impressing the wrong things on your subconscious and bringing about things in your life you don’t want.

Feelings Can Determine Our Future

Feelings are the greatest form of manifesting that we have as humans. We actually have the ability to bring our future into the present through our feelings.

Focusing on what you do want and feeling like it has already happened tells the subconscious that this truly exists.  The only thing that would stop this is if it is counteracted by a more powerful feeling that it doesn’t exist, like disbelief, fear or anger.

If you are seeing yourself getting your Academy Award and you are fearful, then the chances are your vision may not happen.  If fear was the more dominant feeling,  then you have just nullified your vision.

Create a personal goal that you know you can achieve and a time limit that feels right to you.  For example, you may need a great editor.  To get that great editor, why not start saying, I love my editor. I chose the perfect editor.

Do this with the emotion of joy, success, achievement happiness and contentment.  Feel very proud of yourself feel very confident that you have the right editor.  

You want to live it, feel it and see it. Know your vision is coming through your feelings.  Remember that all creation happens in the subconscious.  What you must do is get control of your subconscious through your ideas and your feelings. The subconscious doesn’t care if you were telling of the truth or not it excepts as true what you feel to be true.

Use your mind to fund your film.  Your mind is your greatest asset in film funding.

 

Carole Dean is president and founder of From the Heart Productions; a 501(c)3 non-The Art of Film Funding Podcastprofit that offers fiscal sponsorship for independent filmmakers. She hosts the weekly podcastThe Art of Film Fundinginterviewing those involved in all aspects of indie film productionShe is also the author of  The Art of Film Funding, 2nd Edition: Alternative Financing Concepts.  See IMDB for producing credits.

“Restoring Balance: Autism Recovery” Wins Final 2017 Roy W. Dean Grant

Documentary Shows the Success of Using Diet and Environment to Drastically Change Lives of Children with Autism

Restoring Balance: Autism RecoveryOxnard, CA Feb 27th 2018 –   In closing out the 25th year of the Roy W. Dean Grant, From the Heart Productions, the film funding non-profit which oversees the grant, has awarded its 2017 Fall grant to Restoring Balance: Autism Recovery

The Roy W. Dean Grant is awarded 3 times each year to a film that is unique and makes a contribution to society.  For winning the Fall grant, “Restoring Balance: Autism Recovery will receive $3,000 in cash and $30k in film production services including animation and film score.

“Carole Dean, Carole Joyce and the team at From the Heart Productions has been so wonderful and gracious to us.” said director of “Restoring Balance: Autism Recovery” Ryan Hetrick. “They saw the importance of the message and the potential a film has to change the hearts and minds of society.”

“Restoring Balance: Autism Recovery” will show how families and practitioners are rediscovering therapies that allow the human body to naturally recover.   These families are located throughout the United States. Interviews and animations in the documentary take people into the lives and bodies of children with autism, and the way that food is affecting their family’s ability to achieve harmony.

In addition to the cash prize, services Ryan will receive in include $15,000.00 in theme music and score written by award winning composer David Raiklen , $6,000.00 in animation from Emmy award winner Charlie Canfield (who is also currently working on the project), hard drive from G-Technology, and much more from many heart-felt donors

About the Filmmaker Behind “Restoring Balance: Autism Recovery”

Ryan Hetrick, Producer/Director

Restoring Balance: Autism RecoveryRyan has worked in the behavioral health field with autism spectrum clients for over 11 years, aged from 2 to 30, as a neurocognitive and Certified Brain Injury Specialist.  One of the families he worked with began dietary interventions and their child experienced expansions in vocabulary, eye contact and overall social interaction.

After years working with children on the autism spectrum, Ryan could see that dietary and biomedical therapies made a large beneficial impact. He was motivated to make this film after seeing the results firsthand.

He has taught courses in acting, writing, and film editing for children at Actors for Autism. While in Los Angeles, Ryan became a health and nutrition coach. He worked with teens on the autism spectrum to make nutritional goals achievable..

About the Roy W. Dean Grant

Now accepting application for its 2018 Spring Grant, over a quarter century the Roy W. Dean Grant has awarded over $2,000,000 in cash and donated film services to films.  The grant has been an important lifeline for filmmakers.  It gives them the resources needed to continue working on their film and to get it completed.  Without assistance from the grant, many excellent and important films may never have been made. 

Past winners of the grant that have been completed include the Emmy winning Mia: A Dancer’s Journey, the SXSW Best of Fest Music Film The Winding Stream: An Oral History of the Carter and Cash Family, and the now in release on video and on demand the very relevant The Brainwashing of My Dad.

About From The Heart Productions

From The Heart Productions is a 501(c)3 non-profit dedicated to educating and helping filmmakers get their projects funded.  Besides providing funding through the grant, they offer films fiscal sponsorship which allows donations to films be tax deductible.  From The Heart has raised over $12 million for filmmakers through fiscal sponsorship.  President Carole Dean is the best-selling author of The Art of Film Funding: 2nd Edition, Alternative Financing Concepts

For More Information and interview requests, please contact:

Richard Kaufman

www.fromtheheartproductions.com

Roy W. Dean Grant Won by “Belly of the Beast”

2nd Roy W. Dean Grant Winner of 2017 to Receive Cash and Services to Complete Documentary

"Belly of the Beast"

Still from Roy W. Dean Grant winning documentary “Belly of the Beast”

Oxnard, CA Dec 16th, 2017 –   From the Heart Productions , the non-profit dedicated to helping indie filmmakers get their films funded, has awarded its second Roy W. Dean Grant of 2017 to the documentary “Belly of the Beast”.  Awarded 3 times each year, the grant goes to films that are unique and make a contribution to society.  As a result of winning, “Belly of the Beast” will receive $3,500 in cash and $30k in film production products and services to help it complete production.

Directed by Erika Cohn, “Belly of the Beast” intimately chronicles the journey of women fighting reproductive injustice in their communities. 

“Persistence and passion for the project paid off for Erika” admired Carole Dean, founder and president of From the Heart Productions.  “This was the fourth time she applied to the grant with this project!   We could see the growth in her work and the last submission really impressed us.”

For winning the Roy W. Dean Grant, “Belly of the Beast” filmmakers receive $3,500 cash given by From the Heart Productions.  The winners also receive a hard drive from G-Technology, Scholarships to Writers Boot Camp , 25% discount on Publicity services by David Magdael & Associates, Inc., 35% discount for lighting services from PASKAL LIGHTING, and much more from many heart-felt donors

About the Filmmaker

"Belly of the Beast"Erika Cohn is an Emmy award winning director/producer who Variety recognized as one of 2017’s top ten documentary filmmakers.  Most recently, Erika completed The Judge, a film about the first woman judge to be appointed to the Middle East’s Shari’a courts.  It premiered at the 2017 Toronto International Film Festival and will be broadcast on PBS’ 2018 Independent Lens series.

In addition, Erika co-directed/produced, In Football We Trust, an Emmy award-winning, feature documentary about the unique faith and culture that ultimately drives young Pacific Islander men into the NFL.  It  premiered at the 2015 Sundance Film Festival and was broadcast on PBS’ 2016 Independent Lens series. Her work has been supported by IFP, the Sundance Institute, Tribeca Institute, Hot Docs, Sheffield, ITVS, Women in Film, BAVC and the CPB Producer’s Academy among others.

About the Roy W. Dean Grant

Now in its 25th year, the Roy W. Dean Grant has awarded over $2,000,000 in cash and donated film services to films.   The grant has been an important lifeline for filmmakers needing help to continue working on their films.  Without assistance from the grant, many excellent and important films would have never have been made. 

Past winners of the grant that have been completed include the Emmy winning Mia: A Dancer’s Journey, the SXSW Best of Fest Music Film The Winding Stream: An Oral History of the Carter and Cash Family, and the now in release on video and on demand the very relevant The Brainwashing of My Dad.

About From The Heart Productions

From The Heart Productions is a 501(c)3 non-profit dedicated to helping filmmakers get their projects funded and made.  Besides providing funding through the grant, they offer films fiscal sponsorship which allows donations made to films they sponsor to be tax deductible.  From The Heart has raised over $2.4 million for crowdfunding films as a partner with Indiegogo.  President Carole Dean is the best-selling author of The Art of Film Funding: 2nd Edition, Alternative Financing Concepts

For More Information and interview requests, please contact:

Richard Kaufman

www.fromtheheartproductions.com

 

What Orson Welles Can Teach Us About How to Use Music in Films

We’ve not just got his work to watch and listen to. We’ve also got his notes.

After we’ve watched and enjoyed Orson Welles classic film noir “Touch of Evil” for the 27th time, what do we remember? Is it the amazing long continuous shot that opens the movie? The dramatic final confrontation in the oil fields? How about the incredible varied and creative way he uses music in the film?

On my The Art of Film Funding Podcast, I interviewed award winning composer and Roy W. Dean Grant donor, David Raiklen. We both share a love of movie scores, Orson Welles, and his classic thriller “Touch of Evil”.

I knew the music was integral to the film. It defines characters, sets the atmosphere, and compliments the action. What I didn’t know was how Orson Welles planned out the music and how it was to be used before he shot the film.

David explained he left detailed notes for his composer, Henry Manicini, and his sound mixer. In my latest video, I cover what filmmakers can learn from those important notes on placing music in their films.

Imagine How Music Will Be Used in a Scene Before Its Shot

The opening scene is probably the longest continuous shot that’s been executed on film without CGI. It follows a bomb in the trunk of car as it heads to a border crossing down a city street filled with people.

Instead of using a traditional score, Orson wanted to use source music. He directed the scene knowing this. As we follow the action, the music appears to come naturally from car radios and musicians that are in the shot.

This music, David describes, was specifically created for A “Touch of Evil” and it creates a magical environment.

It’s not like a typical movie score. It sounds natural as it comes from sources in the shot. But, as music changes as the scene progresses, it’s jarring as well and puts us on edge.

Use Music That Fits the Characters

For example, the characters are walking down the street in a town where they have lots Orson Wellesof live bands. The music the characters in the movie are hearing is the same music that the audience is hearing. But, because the camera is moving around to different groups of characters, the music is constantly changing.

The Mexican characters are listening to very festive mariachi music while the detective people are listening more to cool jazz.

This is the sort of thing that their character would listen to but it also tells us emotionally what to feel and gives us insight into the character. It’s source music, it’s character themes, and it’s dramatic underscore telling the story on multiple levels at the same time.

To make it happen was very complicated. Henry Mancini said it was one of the most difficult things he’d ever done. Without the notes and detail Orson Welles provided, it would have never been accomplished or attempted. That music is part of what makes that first scene so involving.

Consider How Sound Will be Mixed

Orson didn’t stop with notes to the composer. He also had a note for the mixer. While most films have a clean, high quality sound, he knew that would not be great if source music was being use.

“The characters are listening to music as they walk down the street,” Orson detailed, “and if the music sounds perfect like it was recorded in a studio, that will destroy the illusion that the characters are walking down the street.”

He suggested they take several loud speakers from your studio and put them out in the alley that’s behind the dubbing stage. Then, record the sound of the microphone traveling down the alley behind the stage on a dolly. This would be like the microphone was the character’s point of view and we’re following them down the street.

When you hear the sound in A Touch of Evil in this first street scene you will truly appreciate all of the great creative genius that went into making it. Getting your sound to enhance and support your story is paramount to a successful film.

Carole Dean is president and founder of From the Heart Productions; a 501(c)3 non-profit that offers fiscal sponsorship for independent filmmakers. She hosts the weekly podcastThe Art of Film Fundinginterviewing those involved in all aspects of indie film productionShe is also the author of The Art of Film Funding, 2nd Edition: Alternative Financing Concepts.  See IMDB for producing credits.

How to Manifest Miracles (Part 5)

by Carole Dean

Mastering Creative Visualization to Manifest Miracles

Using the work of author Stuart Wilde as a guideline, I’ve created a 5 part series of blogs and videos to show filmmakers how they can have a miracle happen in their life.  I outlined creating a miracle action plan and its components. 

The final video of my video series on How to Manifest Miracles concludes with how to complete your miracle action plan.  Stuart says the final step to master for your plan is visualization. 

Using Visualization

Visualization is the ability to live as if what you asked for actually exists.  You need to live and act as if it is a fact.   Stuart says that the inner mind does not know the difference between fact and fantasy. 

Once you can see yourself walking through a scene, you can feel you are actually a part of it.  

Stuart writes “imagine this: if you can create a powerful and strong image of yourself as a miracle maker, as this wonderful, wonderful human being that has so much to give, so much to offer the world, then that being comes alive.  It is almost as if, by putting that energy into the mind, you shine a light in there that stimulates the mind.”

Others will see this light in you and know that you love and support yourself and this brings miracles.

Creative Visualization

Creative visualization can benefit you when you begin to use it to see yourself living Creative Visualizationyour dream life. 

Whatever your life’s purpose, you want to imagine yourself living that now on a daily basis.  Day dreaming is part of visualization.  Use your driving time or your house cleaning time to see yourself living the life you want.  Live it, feel it, see it, smell it.  Use all your senses and make it real. 

If you are a filmmaker, then see yourself receiving an award for your film.  See you and your crew on a TV interview show discussing how you made the film.  Just create imaginary scenes that could happen.  Give the universe a vision of what you want your life to be.

Goal Setting with Creative Visualization

One powerful use of creative visualization is for goal-setting. Please don’t set goals that are impossible for you because if you can’t conceptualize it or feel that this can happen then you may never reach that goal. 

I think setting small goals first is best.  Then, when you hit that goal  it truly empowers you.  You set another realistic goal and hit that and you are on your way.

I like to see myself at a holiday like Thanksgiving at the table with friends.  I’m sharing what the goal was and how proud I am that this has happened. 

You should “feel” into a goal.  If your body reacts with fear or stress, reduce the goal or give yourself more time until your body relaxes.  The mind and body need to be in alignment to achieve your goals.

This visualization is the last and most important element in creating miracles.   Use this information to create some exciting miracles in your lives and share them with me.   

Carole Dean is president and founder of From the Heart Productions; a 501(c)3 non-profit that offers fiscal sponsorship for independent filmmakers. She hosts the weekly podcastThe Art of Film Fundinginterviewing those involved in all aspects of indie film productionShe is also the author of The Art of Film Funding, 2nd Edition: Alternative Financing Concepts.  See IMDB for producing credits.

How to Manifest Miracles (Part 4)

by Carole Dean

Using the Power and Energy of the God Inside of Us

Author Stuart Wilde has some incredible lessons about manifesting miracles as a means to your personal and professional success.

In my latest video based on his work, I discuss how Stuart believes that God is not just a figure outside of us.  He is a powerful energy inside us all.   

Learning to Use the God Inside of Us to Create Miracles

Stuart says “As you work to expand power, it is almost impossible to do so if you see God outside of yourself.  If you do see God outside of yourself, then what you are saying is, “I do not control my life. Some entity above me or beyond me is controlling my life.” 

There is an Indian greeting you may have seen where people hold their hands in prayer and say Namaste to each other.  My Indian friend explained that Namaste means, the God inside me salutes the God inside you. 

What you want to do is move to the belief that you are the creator of your own future. You are a God.  That tiny part of you that never dies is a God and knowing that you are powerful is important to manifesting miracles.  Your faith in yourself is paramount to creating miracles.

Allow Yourself to Receive

He says “As you push out as a miracle maker and as you begin to get your action plan God Inside of Usgoing, you have to establish in your feelings the idea that, one, you are worthy and two, you can receive.”

So often in our society, we put an emphasis on giving, that it is more blessed to give than to receive but you have to understand, for every giver, there has to be a receiver.

A filmmaker emailed me recently to take me to lunch.  I immediately started writing saying I would love to go to lunch but I would not let her pay….then I thought, how can I keep asking to receive, if I don’t accept? 

So, for once I said OK and I want you to pay attention to gifts offered and say YES!

Keep Working on Miracle Action Plan

In your miracle action plan, you must be very specific on what you want.  Don’t just say you want lots of money soon, but outline exactly what you want.  Have specific dates in mind for achieving it.

Remember to use the affirmations like, I am a power, positive individual.  All events in this day are for my highest good.  You are saying that the power lies with you and not with someone else.

Carole Dean is president and founder of From the Heart Productions; a 501(c)3 non-profit that offers fiscal sponsorship for independent filmmakers. She hosts the weekly podcastThe Art of Film Fundinginterviewing those involved in all aspects of indie film productionShe is also the author of The Art of Film Funding, 2nd Edition: Alternative Financing Concepts.  See IMDB for producing credits.

How to Manifest Miracles (Part 3): Understanding Time and Personal Power

by Carole Dean

Understanding Time and Personal Power

I see miracles happen every day to our fiscally sponsored indie filmmakers at From the Heart Productions.   Getting a large donation from an unexpected source, getting a contract from film distributor they thought they’d never get, winning a well-deserved, but surprising grant.

I want you to know how to manifest miracles and “make a miracle happen in your life.”  But, miracles aren’t random occurrences.  First, you need a miracle action plan

You also need an understanding of time and how to use your personal power. I cover these in my latest in a series of videos on How to Manifest Miracles.    It’s based on the work of the brilliant British author Stuart Wilde

Within Universal Law, There is No Time

Stuart says, within the universal law, there is no time. Things are in a state of gradual evolvement.  A tree has no concept of time because its essence is eternal.  It responds to the warmth of the sun.   It is not in time, but it is in time with the universal law.

This law can deliver instantly.  But, if your energy is not all there, it will seem to you as if it has taken time. Therefore, you need learn patience and keep moving towards your goal; knowing that your thought forms will manifest.

If You are Moving Towards One Particular Miracle and a Different Avenue Opens Up Unexpectedly, Take It. 

Stuart shares a story of a friend whose goal was to be a filmmaker.  After graduating, he could not get into the union and he took a job as a waiter.  He met an older man who regularly ate at the restaurant.  Stuart waited on him for months before he discovered that he was the head of the filmmaker organization in London!

All the time he’d been serving this man, he never gave up his mediating on his goal.  

Understanding Time and Personal Power

This man helped him to fulfill his dream of filmmaking.  His miracle had been delivered.  

When you move into an energy alignment, you can never tell what will happen. Watch for signs. Use your feelings to help you decide. If a direction is right, you will know it automatically.

Understanding Your Personal Power

You want to recognize that you have energy of power around you.  To achieve complete success, you have to work constantly on your mind’s doubt.  Remind yourself that you’re not your mind.  You do not accept energy contrary to your goals.  In this way, you establish a pattern of positive affirmation in your life.

Write down in your own words nine affirmations that express your belief in yourself and your complete fulfillment in this lifetime.  There should be three affirmations for the dawn, three for the day, and three for the night.  

Before reading your miracle list, read your affirmations slowly. Be sure that you feel their power and that they mean something special to you.  Here are a few examples from which you can build:

  • I am a powerful, positive individual and all events in this day are for my highest good.
  • What I am is beautiful and I pull to me this day only beauty and refreshment. This day is a day of balance.
  • What I am is eternal, immortal, universal and infinite. I see only beauty and strength every moment of my life.
  • I see only beauty in all the people who are pulled to me.
  • What I am is infinite. I do not judge the evolution of others.
  • I give thanks for the beauty of this day and may the energy of this night bring rebuilding and review. So be it.

Your affirmations act like small twigs in a fire. As you rise, you begin to build energy in the day. Use your affirmations to keep that energy going.

Carole Dean is president and founder of From the Heart Productions; a 501(c)3 non-profit that offers fiscal sponsorship for independent filmmakers. She hosts the weekly podcastThe Art of Film Fundinginterviewing those involved in all aspects of indie film productionShe is also the author of The Art of Film Funding, 2nd Edition: Alternative Financing Concepts.  See IMDB for producing credits.

“Stranger at Home” Wins First Roy W. Dean Grant for 2017

Documentary Explores Mental Health Crisis Facing Active Duty Soldiers, Veterans, and Their Families

Oxnard, CA October 21st, 2017 –   The first Roy W. Dean Grant for 2017 for independent filmmakers, awarded by the non-profit From the Heart Productions, goes to the documentary “Stranger at Home”.  Now in its 25th year, the Roy W. Dean Grant is awarded 3 times a year to films that are unique and make a contribution to society.  “Stranger at Home” will receive $3,500 in cash and $30k in film production products and services to help it complete production.

First Roy W. Dean Grant for 2017

“Stranger At Home” filmmakers with their main story subject Navy Commander (retired) and Psychologist, Dr. Mark Russell (c) with war stress injuries cohorts Dr. Charles Figley and Bonnie Zinn.

Directed by Luis Remesar and produced by Luis, Beth Dolan, and Sheila Higgins, “Stranger at Home” documents a Navy psychologist’s personal journey from decorated officer to reluctant whistle blower. His relentless mission is to hold the military accountable for continually disregarding their own solutions to the military mental health epidemic. 

“Stranger at Home” has completed research, development and secondary, photography production.  The filmmaker’s goal is to finish production in time to submit to Sundance Film Festival in September of 2018. 

“From the Heart Productions is committed to supporting films that have life changing stories told by filmmakers with passion.” said Carole Dean, founder and president of From the Heart Productions. “This film follows in that tradition.  We are proud to award it our first Roy W. Dean Grant for 2017 and to help in its completion.”

About the Winner of First Roy W. Dean Grant for 2017

The documentary reveals that active duty military, veterans and their families are facing a mental health crisis of catastrophic proportion.  But, even in this day and age of advanced knowledge and unlimited resources, the mindset of the military is one where mental illness and the admission of psychological trauma are still considered a weakness or a defect of character.

Through the film, we see the staggering consequences of these archaic and damaging beliefs.  This includes 24 suicides to every one battlefield death since 1999, rampant homelessness, substance abuse, incarceration and broken homes. These are all symptoms of untreated war stress Injuries.   The film explores the questions of why are we failing our bravest men and women who suffer needlessly? What is being done and what more can we do about it?  Why have we let this preventable crisis happen?

As winner of the first Roy W. Dean Grant for 2017, filmmakers receive $3,500 cash given by From the Heart Productions.  The winners also receive a hard drive from G-Technology, 40% deduction on color, editing, and sound & all production services from ProMedia, 30% discount in equipment rental from AbelCine Tech, Inc. NYC, Movie Magic Budgeting software as a gift from Entertainment Partners , and much more from many heart-felt donors

About the Filmmakers

Luis Remesar – Director/Producer/Editor

Luis, a native of Havana, Cuba, is a graduate of Columbia University where he studied psychology as well as filmmaking under both Andrew Sarris and Milos Forman. He has been honored by the Los Angeles City Council for his short film OUT OF ORDER and won an ACE Award of Merit for his bilingual,anti-smoking PSA for the American Lung Association. His feature-length documentary REGRESO – about the resiliency and inventiveness of people living through the many challenges in today’s Cuba – has screened at festivals and universities worldwide.

Beth Dolan – Producer/Writer

A graduate of Carnegie-Mellon University School of Drama, Beth has worked on popular situation comedies such as FOLEY SQUARE and VAN DYKE.  She also worked on LOS BELTRAN,  an award-winning Spanish language comedy for Sony/Telemundo. Under her own production banner Coyote Pass Productions, Beth has produced award-winning PSAs and short form documentaries. Her feature-length documentary REGRESO premiered at the Santa Barbara International Film Festival and has screened at other festivals and universities worldwide.

Sheila Higgins – Producer/Editor

Sheila has worked in multiple media genres as a producer, director, editor and videographer.  This includes working on such shows as: TALK SOUP, E! TRUE HOLLYWOOD STORIES, as well as the OSCARS, EMMYS, and the GOLDEN GLOBES.  She’s also worked as an editor for Tribune/KTLA News and Special Projects where she won awards from the Greater Los Angeles Press Club as well as a TELLY. Other documentaries she has worked on inlcude: OUR STORY, KIDS GET CANCER TOO – SEEING IS BELIEVING; THE INSPIRING STORY OF RWANDA – AHE PASSION TO PLAY, ONE PLAYER’S STORY and SINGING FUNNY.

About the Roy W. Dean Grant

The Roy W. Dean Grant has awarded over $2,000,000 in cash and donated film services to films.   The grant has been an important lifeline for filmmakers that need help to complete their film.  Without assistance from the grant, many excellent and important films may never have been made. 

Past winners of the grant that have been completed include the Emmy winning Mia: A Dancer’s Journey, the SXSW Best of Fest Music Film The Winding Stream: An Oral History of the Carter and Cash Family, and the now in release on video and on demand the very relevant The Brainwashing of My Dad.

About From The Heart Productions

From The Heart Productions is a 501(c)3 non-profit dedicated to helping filmmakers get their projects funded and made.  Besides providing funding through the grant, they offer films fiscal sponsorship which allows donations made to films they sponsor to be tax deductible.  From The Heart has raised over $2.4 million for crowdfunding films as a partner with Indiegogo.  President Carole Dean is the best-selling author of The Art of Film Funding: 2nd Edition, Alternative Financing Concepts

For More Information and interview requests, please contact:

Richard Kaufman

www.fromtheheartproductions.com