Don Schwartz Spotlight on Documentaries
Welcome to the Blog of actor/journalist/personal historian Don Schwartz.
Don has been published in a variety of publications since 1977. His book, Telling Their Own Stories: Conversations with Documentary Filmmakers, is available from Amazon in softback or Kindle edition.
Don holds multiple degrees, including a Ph.D. in psychology and counseling from the California Institute of Integral Studies.
Don is a regular guest on our web radio show, The Art of Film Funding, produced by From the Heart Productions, reviewing documentary films with founder Carole Dean—http://www.blogtalkradio.com/the-art-of-film-funding
Don also contributes film reviews and filmmaker profiles to CineSource Magazine online—www.CineSourceMagazine.com
His weekly film review appears in The Marin Post—https://marinpost.org/
You can access Don’s Personal Historian services at:
From the film: “It’s counter-intuitive, ironic even, but obits have next to nothing to do with death—and, in fact, absolutely everything to do with the life.”
Vanessa Gould is one of those documentary filmmakers who is not prolific. I’ve seen all two of her films: “Between the Folds” about origami, and now Obit abo
Unacknowledged is the second documentary about UFO/alien phenomena produced by Dr. Steven Greer, M.D. It is the most sophisticated, well-crafted f
John Bryant’s Dare to Drum follows the creation of a piece of music entitled Gamelon D’Drum, described as a musical synthesis of pitch, rhythm, and orchestration, performed with the Dallas Symphony Orchestra.
As documentary films go, it doesn’t get more powerful than this. A young woman—healthy, happy, intelligent, talented, Hollywood beautiful, married to a loving man, living an adventurous, exciting life—is struck down by a debilitating, apparently incurable disease.
This young woman fights back.
The disease is called myalgic encephalomyelitis (ME) or chronic fatigue syndrome (CFS). Medicine denied or ignored this disease, thus adding immeasurable suffering and loss
In Sea Gypsies writer/producer/director/cinematographer/editor Nico Edwards takes a ride in the Infinity, a 120 sailing ketch(1.). I write ‘in’ rather than ‘on’ because much of his on-camera narration is done from his room while suffering the effects of motion sickness.
When not ill, Edwards’ cinematography is
I prefer to go into a movie cold. At the most I will know the title and the genre. As I’ve written before, I value the experience of discovery in reading, hearing, and seeing stories.
I went into Icarus cold.
I was confused when I began watching this
Patty Greer’s films cover the phenomenon called ‘crop circle.’ I put the phrase in quotes because perfectly formed circles with elaborate designs have been found around the world in media other than agricultural crops.
Greer covers the metaphysical, and films of this ilk tend to be viewed by those who are interested in such—also known as ‘preaching to the converted.’ Skeptics, of course, may watch these films in their quest to delegitimize both t
Thanks to Kino Lorber for sending two films about two artists who have little in common except for the power and impact of their work.
Marcie Begleiter’s Eva Hesse covers Hesse’s tragically-shortened and previous
Jeff Orlowski is a master at making films with images that are as exquisitely beautiful as they are horrific. With 2012’s Chasing Ice he covers the melting of glaciers and ice caps, and now with ...Read More
Note: At the conclusion of this review I have added a personal note regarding my epistemological relationship with the UFO/ET phenomenon. This is the second documentary of this ilk I have covered, The Hidden Hand being the first.
Once in awhile I begin a documentary film review with displayed text that introduces t